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Latest films:
BE COOL - Cert 12A
Starring an unbelievably hip all-star cast, including John Travolta, Uma
Thurman, Andre 3000, Steven Tyler and The Rock, and bursting with the
hottest music in the biz, Be Cool is the wildly hilarious tale about a
gangster turned music mogul...and what it takes to be number one wth a
bullet. When Chili Palmer (Travolta) decides to try his hand in the music
industry, he romances the sultry widow (Thurman) of a recently whacked
music exec, poaches a hot young singer (Chiristina Milian) from a rival
label and discovers that the record industry is packin' a whole lot more
that a tune!
www.becoolmovie.com/
CHARLIE AND THE CHOCOLATE FACTORY - Cert PG
Acclaimed director Tim Burton brings his vividly imaginative style to the
beloved Roald Dahl classic Charlie and the Chocolate Factory, about
eccentric chocolatier Willy Wonka (JOHNNY DEPP) and Charlie Bucket
(FREDDIE HIGHMORE), a good-hearted boy from a poor family who lives in the
shadow of Wonka's extraordinary factory.
Most nights in the Bucket home, dinner is a watered-down bowl of cabbage
soup, which young Charlie gladly shares with his mother (HELENA BONHAM
CARTER) and father (NOAH TAYLOR) and both pairs of grandparents. Theirs is
a tiny, tumbledown, drafty old house but it is filled with love. Every
night, the last thing Charlie sees from his window is the great factory,
and he drifts off to sleep dreaming about what might be inside. One day
Willy Wonka makes a momentous announcement. He will open his famous
factory and reveal "all of its secrets and magic" to five lucky
children who find golden tickets hidden inside five randomly selected
Wonka chocolate bars. Charlie finds some money on the snowy street and
takes it to the nearest store for a Wonka Whipple-Scrumptious Fudgemallow
Delight, thinking only of how hungry he is and how good it will taste.
There, under the wrapper is a flash of gold. It's the last ticket. Charlie
is going to the factory! Long isolated from his own family, Wonka feels it
is time to find an heir to his candy empire, someone he can trust to carry
on with his life's work and so he devised this elaborate contest to select
that one special child. What he never expects is that his act of
immeasurable generosity might bring him an even more valuable gift in
return.
chocolatefactorymovie.warnerbros.com/
HERBIE: FULLY LOADED - Cert U
Start your engines! Herbie, the most beloved car star of them all, is back
and Lindsay Lohan's got him in Disney's all new revved-up comedy
adventure, 'Herbie: Fully Loaded.' Lohan stars as Maggie Peyton, the new
owner of Number 53-the free wheelin' Volkswagen bug with a mind of its
own-who puts the car through its paces on the oad to becoming a NASCAR
competitor. Herbie's got some new tricks under his hood as he takes
audiences for an action-packed spin in this high-speed comedy. With an
all-star cast along for a wild ride, this comedy puts Herbie to the
test-on-road, off-road, on the track and into the record books.
As a third-generation member of a NASCAR family, racing is in Maggie
Peyton's blood, but she is forbidden from pursuing her dream by her
overprotective father, Ray Peyton,Sr.(Keaton). When Ray Sr. offers Maggie
a car as a college graduation present, he takes her to a junkyard to
choose one from an assortment of very used cars. Maggie has her eye on an
old Nissan, but a certain rusty, banged up 63'VW Bug seems to be clamoring
for her attention. To her surprise, Maggie leaves the lot with Herbie. As
she prepartes to leave town for a postiion with ESPN News, Maggie
discovers that Herbie has a mind of his own...and an alternative route for
her future.
disney.go.com/disneypictures/herbie/
BEAUTY SHOP - Cert 12A
Queen Latifah heads an 'excellent ensemble' cast in this 'warm, funny,
empowering' (New York Post) comedy from the producers of Babershop and the
producer of Bringing Down the House! Co-starring Alicia Silverstone Andi
MacDowell, Alfre Woodard, Mena Suvari and Djimon Hounsou-and featuring
Kevin Bacon in a hilarious performance-Beauty Shop 'will slap a smile on
your face and keep it there' (Premiere)! When Jorge (Bacon), the
egotistical boss at a posh salon, pushes his star stylist Gina (Latifah),
a hair too far, Gina leaves and opens a beauty shop of her own. Inheriting
and opinionated group of stylists, a colorul clientele and a sexy upstairs
neighbor, Gina proves that you can't keep a good woman down-and you can't
keep a shopful of outrageous women from speaking their minds!
www.beautyshopthemovie.net/#
THE DESCENT - Cert 18
On a daredevil caving holiday the six girls are trapped underground when
an unexpected rock fall blocks their exit. Searching the maze of tunnels
for a way out, they find themselves hunted by a race of fearless, hungry
predators, once humanoid but now monstrously adapted to live in the
dark... As the others battle for their lives, Sarah (Macdonald), still
recovering from a mental collapse brought on by the recent deaths of her
family, is fighting for her sanity. When old secrets are revealed, the
group implodes as friends turn on one another. Betrayed and desperate,
Sarah realises that to make it back to the surface, she must become as
savage as the creatures themselves. The Descent stars Shauna Macdonald,
Natalie Mendoza, Alex Reid, Saskia Mulder, Nora-Jane Noone and MyAnna
Buring and was filmed on location in Scotland and at Pinewood Studios.
www.thedescentthemovie.co.uk/
IMAGINARY HEROES - Cert 18
Imaginary Heroes is a look at one long year in the lives of an ostensibly
typical, upper-middle-class suburban family. It tells a tale of a family
in crisis with wit, warmth and a very contemporary sardonic spin.
Following a sobering family tragedy, the Travises go to pieces. Teenaged
son Tim, the black sheep of the family, walks through his life like it's a
bad ream. His father Ben begins treating his wife and children like
strangers and completely disengages from the world around him, while his
mother Sandy takes to smoking pot and letting loose with all the
considerable sarcasm she can muster. Meanwhile, she wages a bitter feud
with the next-door neighbour over carefully concealed secrets that
threaten to tear the family apart. With elements of Pathos, salty humour
and self-discovery, Imaginary Heroes is ultimately about what it means to
be part of a family - the good, the bad, and everything in between.
www.sonyclassics.com/imaginary/site.html
KUNG FU HUSTLE - Cert 15
Set amid the chaos of pre-revolutionary China, small time thief, Sing,
aspires to be one of the sophisticated and ruthless Axe Gang whose
underworld activities overshadow the city. Stumbling across a crowded
apartment complex aptly known as 'Pig Sty Alley,' Sing attempts to extort
money from one of the ordinary locals, but the neighours are not what they
appear. Sing's comical attempts at intimidation inadvertently atract the
Axe Gang into the fray, setting off a chain of events that brings the two
disparate worlds face-to-face. As the inhabitants of the Pig Sty fight for
their lives, the ensuing clash of Kung Fu Titans unearths some legendary
martial arts masters. Sing, despite his futile attempts, lacks the soul of
a killer, and must face his own mortality in order to discover the true
nature of the Kung Fu Master.
www.kungfuhustle.co.uk/
ONLY HUMAN - Cert 15
Leni arrives home to introduce her fiancé Rafi to her Jewish family for
the first time. Everything
goes wonderfully until the lovers reveal that Rafi is Palestinian. With
his future mother-in-law
unhinged by the news, Rafi offers to take over in the kitchen. The problem
is he accidentally drops a frozen soup out of the 7th floor window,
hitting a pedestrian below. As if the evening's not going
badly enough, it turns out the pedestrian may be Leni's
father...Reminiscent of Billy Wilder and early Almodovar, Only Human is an
optimistic and very funny film that explores relationships between lovers,
families, Arabs and Jews.
www.vervepics.com/onlyhuman.shtml
RIDING GIANTS - Cert 12A
Riding Giants takes us along surfing's timeline from it's early Polynesian
roots, to its rebirth in the early 20th Century, to the development of a
fledgling surf culture along the coast of Southern California in the 1940s
highlighting the group of extraordinary adventurers that emerged: surfers
who, not satisfied with the mere recreational and social aspects of the
sport, began searching for bigger and bigger waves, pushing the boundaries
of performance to expolore the 'unridden realm.' Riding Giants is the
story of these big wave riders, of where and how their quest began, of the
classic characters who throughout the eras chased their dreams out into
the blue water, and of the surfers who still do today, riding 50, 60 and
even 70 foot waves in a manner once considered the realm of fantasy.
Riding Giants is driven by the same sense of freedom, the same love of
nature, the similar discovery of self that all surfers seek-that all of us
seek, in one form or another.
Experience the breathless moments of quiet grace that, for these
extraordinary adventurers, are to be acheived within their elementally
violent world.
www.sonyclassics.com/ridinggiants/
MERCHANT OF VENICE - Cert PG
Starring Oscar winners Al Pachino and Jeremy Irons, with BAFTA nominee
Joseph Fiennes, comes this enthralling tale of greed, corruption, love and
betrayal. Set in beautiful 16th century Venice, one of Shakespeare's
finest plays is brought magically to life in this 'sumptuous production'
which is garanteed to capture your imagination from beginning to end. 'Pachino
delivers a nuanced, powerful performance' as Shylock, the extraordinary
Merchant Of Venice
www.mgm.com/uk/merchantofvenice/
PRIVATE - Cert 15
Inspired by real events, documentary filmmaker Saverio Costanzo's feature
debut is a minimalist psychological drama about a Palestinian family of
seven suddenly confronted with a volatile situation in their home that in
many ways reflects the larger ongoing conflict between Palestine and
Israel.
Mohammad, his wife and their five children live in a large, isolated house
located halfway between a Palestinian village and an Israeli settlement.
The house, in the crossfire of the two sides, is a strategic lookout point
that the Israeli army decides to seize, confining the family to a few
downstairs rooms in daytime and a single room at night. Mohammad refuses
to leave his home and, reinforced by his principles against violence,
decides to find a way to keep his family together in the house until the
Israeli soldiers move on. Winner of a Golden Leopard at the Locarno Film
Festival, PRIVATE is convincingly shot in a documentary style with a
hand-held camera and a quick pace. Director Costanzo has created a unique
occasion for both Israeli and Palestinian actors to work together, and
being an outsider himself, he has worked to maintain a neutral standpoint
while dramatizing the conflict.
www.privatethefilm.com/
>2046
> ANATOMY OF HELL
> ANGEL ON THE RIGHT
> BRIGHT FUTURE
> COFFEE AND CIGARETTES
> COOLER, THE
> ERRANCE
> EYE 2
> HILLSIDE STRANGLER
> IN MY SKIN (DANS MA PEAU)
> LAST HORROR MOVIE
> MILWAUKEE MINNESOTA
> OLDBOY
> RAMONES: END OF THE CENTURY
> SARABAND
> SECRET THINGS (Choise Secretes)
> SWORD IN THE MOON
> TIRESIA
> TORREMELINOS '73
> TULSE LUPER SUITCASES: MOAB STORY
> TWENTYNINE PALMS
> WAR
> WHEN THE LAST SWORD IS DRAWN
> WHO KILLED BAMBI?
> YES MEN
> 16 YEARS OF ALCOHOL
> A MA SOEUR
> APRILE
> AUDITION
> AUTUMN SONATA
> BAD GUY
> BANGKOK DANGEROUS
> BASQUE BALL
> BATTLE ROYALE
> BATTLE ROYALE II
> BEIJING BICYCLE
> BELLEVILLE RENDEZ-VOUS
> BLACK AND WHITE
> BUNDY
> CARNAGES
> CAPTURING THE FRIEDMANS
> CHAOS
> CONFESSIONS OF A TRICK BABY
> CRIES AND WHISPERS
> CRISIS
> CRUSH
> DARK WATER
> DARKNESS IN TALLIN
> DEAD MAN'S CURVE
> DEAD OR ALIVE
> DEAD OR ALIVE 2
> DOBERMANN
> DOG DAYS
> DRACULA: NOTES FROM A VIRGIN'S DIARY
> ED GEIN
> ETRE ET AVOIR (TO BE AND TO HAVE)
> EVA
> EYE, THE
> FALCONS
> FAITHLESS
> FROM THE LIFE OF THE MARIONETTES
> FULLTIME KILLER
> FUNNY GAMES
> GOLDEN BALLS
> GOZU
> HAPPINESS OF THE KATAKURIS
> HARD BOILED
> HIRED HAND (re-issue)
> HOOVER STREET REVIVAL
> HOUSE OF 1000 CORPSES
> THE IDIOTS
> IN THE MOOD FOR LOVE
> INTO THE MIRROR
> INFERNAL AFFAIRS
> INFERNAL AFFAIRS 2
> IRREVERSIBLE
> THE ISLE
> IVANSXTC
> JAMON JAMON
> JAPANESE STORY
> JOY OF MADNESS
> JULIEN DONKEY BOY
> KISSED
> L.I.E.
> THE LAST SEPTEMBER
> LIQUID SKY
> LOVERS OF THE ARCTIC CIRCLE
> MAGICIAN, THE (aka THE FACE)
> MAN BITES DOG
> MY ARCHITECT
> MY KINGDOM
> NIGHTSHIFT
> NOWHERE TO HIDE
> OF FREAKS AND MEN
> ONE FOR THE ROAD
> PAINTED HEART
> PERSONA
> PERSONS UNKNOWN
> PHONE
> POLISSONS ET GALIPETTES (GOOD OLD NAUGHTY DAYS)
> PONETTE
> THE PORNOGRAPHER
> PORT OF CALL
> PRISONER OF THE MOUNTAINS
> PUBLIC ENEMY
> THE RED SQUIRREL
> RESPIRO
> REVENGERS TRAGEDY
> SAFE
> SAVE THE GREEN PLANET
> SCENES FROM A MARRIAGE
> SECRETARY
> SEVENTH SEAL, THE
> SEX AND LUCIA
> SHIRI
> SIBERIA
> SILENCE, THE
> LE SOUFFLE
> SMILES OF A SUMMER NIGHT
> SNAKE OF JUNE, A
> LA SPAGNOLA
> SPRING, SUMMER, FALL, WINTER > ...>
> STONEWALL (+ IT'S NOT UNUSUAL)
> SUDDENLY (TAN DE REPENTE)
> SUMMER INTERLUDE
> SUMMER WITH MONICA
> SUPERSIZE ME
> SUSPICIOUS RIVER
> SYMPATHY FOR MR.VENGEANCE
> TALE OF TWO SISTERS, A
> TATTOO
> THE TERRORIST
> TESIS
> THREE STRANGE LOVES (aka THIRST)
> THROUGH A GLASS DARKLY
> TIERRA
> TO DIE FOR
> TO JOY
> TOKYO STORY (RE)
> TORMENT (aka FRENZY)
> TRILOGY #3: AFTER LIFE
> TRILOGY #2: AN AMAZING COUPLE
> TRILOGY #1: ON THE RUN
> TROUBLE EVERY DAY
> TWILIGHT SAMURAI
> UN AIR DE FAMILLE
> VENDREDI SOIR
> VIRGIN SPRING
> WARM WATER UNDER A RED BRIDGE
> WILDSIDE
> WILD STRAWBERRIES
> WINTER LIGHT
> WONDERLAND
11'09"01 - September 11
(2002 / 135 mins (each episode runs 11 mins 9 secs) / English subtitles /
Cert 12A)
· 11 directors from different countries and cultures (Samira Makhmalbaf,
Claude Lelouch, Youssef Chahine, Danis Tanovic, Idrissa Ouedraogo, Ken
Loach, Alejandro Gonzalez Inarritu, Amos Gittai, Mira Nair, Sean Penn,
Shohei Inamura)
· 11 visions of the tragic events which occurred in New York City on
September 11, 2001
· 11 points of view engaging their individual conscience
· Complete freedom of expression
A is for Autism
(Tim Webb / GB / 1994 / 11 mins / col)
This award-winning short animation documents the experience of autism
through a dazzling montage of words, drawings, music and sequences
contributed by people with the condition. The man who advised and trained
Dustin Hoffman for Rain Man is interviewed in this piece.
An Actor's Revenge
(Kon Ichikawa / Jp / 1962 / 108 minutes / col / Japanese with subtitles /
Cert PG)
The wildly melodramatic tale of a Kabuki female impersonator who uses his
theatrical skills to deceive and destroy the men who drove his parents to
suicide. "A film of phenomenal all-round accomplishment" Time
Out
The Adventures of Prince Achmed
(Lotte Reiniger / Ge / 1926 / 66 mins / silent with subtitles &
voiceover / tinted & toned / Cert PG)
Lotte Reiniger's astonishing labour of love took three years and 300,000
camera shots to complete. Based on tales from The Arabian Nights, this
still stands as one of the great classics of animation - witty, lively,
delicate, inventive, stirring and romantic.
Affliction
(Paul Schrader / US / 1997 / 113 mins / col / Cert 15)
Nick Nolte is excellent as Wade Whitehouse, sheriff of a small and dreary
New Hampshire town. Divorced with an eight-year old daughter who wants as
little to do with him as possible, with a bullying father (a grizzled
James Coburn) and a worsening drink problem, Wade's life has never
amounted to much. But when a fatal hunting accident occurs, Wade sees this
as his chance to play an important role in uncovering a murder.
Aimee and Jaguar
(Max Farberbock / Ge / 1998 / 125 mins / col / German with subtitles /
Cert 15)
An atmospheric WWII drama, the true story of a lesbian relationship
between a married mother of four children and a Jewish member of an
underground resistance organisation in Berlin in 1943/4.
Alice et Martin
(André Téchiné / Fr / 1998 / 121 mins / col / French with subtitles /
Cert 15)
Oscar winning Juliette Binoche re-unites with esteemed director André
Téchiné in this compelling love story between two people both scarred by
tragic events in their past. "A characteristically intelligent,
sensitive performance from Juliette Binoche. It packs a powerful
punch" THE GUARDIAN
Amores Perros
(Alejandro Iñárritu / Mx / 2000 / 147 mins / col / Spanish with
subtitles / Cert 18)
Three relationships and the fates of two dogs become inextricably
entangled in the heart of an ever-changing, ever violent Mexico City; a
groundbreaking and influential Latino Pulp Fiction.
Andrei Rublev
(Andrei Tarkovsky / USSR / 1966 / 182 mins / col & b/w / Russian with
subtitles / Cert 15)
Simply one of the most astonishing films ever made and a landmark of
Russian cinema, the film charts the life of the icon painter Andrei Rublev
through a turbulent period in 15th Century Russia. "Towering… one
of world cinema's most enthralling films" Geoff Brown, THE TIMES
(Other available films by Tarkovsky: Ivan's Childhood; Mirror; Nostalgia;
Sacrifice; Solaris and Stalker)
An Angel at my Table
(Jane Campion / NZ / 1990 / 151 mins / col / Cert 15)
Oscar-winning director (The Piano) Jane Campion's second film is an
extraordinarily moving celebration of the life of Janet Frame, New
Zealand's most distinguished author, based on her autobiographical
trilogy.
L' Appartement
(Gilles Mimouni / Fr / 1995 / 112 mins / col / French with subtitles /
Cert 15)
A stylish and sexy combination of love story and thriller in which one man
is caught up in the passion driven fates of three beautiful women.
Mimouni's ingeniously constructed film effortlessly unravels an intricate
plot and makes the most of its deliriously romantic Paris setting.
The Apu Trilogy by Satyajit Ray
Pather Panchali
(Ray / In / 1955 / 125 mins / b&w / Bengali with optional English
subtitles / Cert U)
The World of Apu
(Ray / In / 1956 / 108 mins / b&w / Bengali with optional English
subtitles / Cert U)
Aparajito
(Ray / In / 100 mins / b&w / Bengali with optional English subtitles /
Cert U)
The Apu trilogy is the most celebrated work of Satyajit Ray, the greatest
filmmaker ever to have emerged from Indian cinema. The three films - each
a masterpiece in its own right - are enormously touching in their
simplicity, emotional sweep and visual beauty and established Ray in the
pantheon of the world's finest directors. Pather Panchali, Ray's
extraordinarily accomplished debut feature, begins the story of Apu, a
young boy born into a poor but loving family in rural Bengal, and
continues in Aparajito, when adolescence and his growing independence
bring both joy and sorrow. The World of Apu, the final and most profoundly
moving chapter in the trilogy, encompasses the extremes of joy and
despair, ultimately reaching a conclusion that is among the most uplifting
and life-affirming in cinema.
Arabian Nights
(Pier Paolo Pasolini / It, Fr / 1974 / 125 mins / col / Italian with
subtitles / Cert 18)
The final part of Pasolini's Trilogy of Life series, following The
Decameron and The Canterbury Tales, was two years in the making. The
locations - Yemen, Ethiopia, Iran and Nepal - form a rich, exotic backdrop
to these tales of slaves and kings, potions, betrayals, demons and, most
of all, love and lovemaking in all its myriad forms.
At the Height of Summer
(Trän Anh Hûng / Fr, Ge, Vn / 2000 / 112 mins / col / Vietnamese with
subtitles / Cert PG)
This tale of three sisters whose lives threaten to unravel following the
anniversary celebration of their mother's death is a gently knowing look
at tradition, ritual, loyalty, and gender roles in contemporary Vietnamese
society, with first-rate performances from the cast.
Balzac and the Little Chinese Seamstress
(Dai Sijie / Fr, Ch / 2002 / 111 mins / col / Mandarin with subtitles /
Cert 12A)
Teenage best friends, Luo and Ma, sons of 'reactionary intellectuals' are
sent to a far-flung outpost for Maoist re-education during China's
Cultural Revolution in the 1970s. To keep their spirits up after their
arduous work in the fields, they play Ma's violin - which they save from
destruction by re-inventing Mozart lieder as songs of the revolution.
Bande à part
(Jean-Luc Godard / Fr / 1964 / 95 mins / b&w / French with subtitles /
Cert PG)
Gleefully putting into practice D W Griffith's maxim that 'all you need to
make a film is a girl and a gun', Bande à part is Godard's playful
tribute to the Hollywood pulp crime movies of the Forties, executed with
typically Gallic cool.
Beau Travail
(Clare Denis / Fr / 1998 / 90 mins / col / French with subtitles / Cert
15)
Set in the eerily beautiful African desert and featuring an eclectic
soundtrack boasting music by Neil Young and Benjamin Britten, Beau Travail
is Denis' extraordinarily beautiful adaptation of Herman Melville's Billy
Budd, exploring the exclusively masculine world of the near-mythical
French Foreign Legion.
"One of the most spellbinding films I have ever seen" THE SUNDAY
TELEGRAPH
La Belle et la bête
(Jean Cocteau / Fr / 1946 / 90 mins / b&w / French with subtitles /
Cert PG)
Cocteau addresses his version of Mme Leprince de Beaumont's eighteenth
century fairy tale to 'what remains of the child in all of us' and
proceeds to take us into a realm of enchantment where nothing - not even
the candelabra or the decorative carvings in the Beast's castle - is quite
what it seems.
La Belle noiseuse
(Jacques Rivette / Fr / 1991 / 129 mins + 100 mins / col / French with
subtitles / Cert 15)
Rivette's award winning, critically acclaimed film stars Michel Piccoli in
one of his finest performances as an artist who, ten years previously,
abandoned his masterpiece, a painting of his wife (Jane Birkin). When he
encounters the beautiful and fascinating Marianne (Emmanuelle Béart), he
is inspired to return to the unfinished canvas, using her as his new
model.
Betty Fisher and Other Stories
(Claude Miller / Fr, Can / 2001 / 102 mins / col / French with subtitles /
Cert 15)
This adaptation of Ruth Rendell's novel tells of novelist Betty's
relationship with her cantankerous mother; the 'other stories' continue
the theme of cruelty to children in this horribly fascinating and classy
drama.
Biggie and Tupac
(Nick Broomfield / GB / 2002 / 108 mins / col / Cert 15)
This is a story of two great friends (American rappers Biggie Smalls and
Tupac Shakur) who had a misunderstanding, a falling out and who became
deadly enemies. Their murders were long explained as being the result of
the rivalry that had grown up between them but award-winning documentary
maker Nick Broomfield reveals startling evidence to suggest the blame lay
elsewhere.
Blackboards
(Mohsen Makhmalbaf / Ir, It / 2000 / 82 mins / col / Kurdish with
subtitles / Cert PG)
Set in the brutal mountains on the Iran/Iraq border, Makhmalbaf elicits
strong performances from a non-professional cast and creates a visually
powerful and insightful depiction of a people on the edge of a country and
a society. "Stunning… An almost sacred talent" THE INDEPENDENT
Blind Chance
(Krzysztof Kieslowski / Po / 1981 / 124 mins / col / Polish with subtitles
/ Cert 18)
Poland, in the politically turbulent late 1970's: Witek is running to
catch a train.
From this banal event, Krzysztof Kieslowski, the director of 'Dekalog' and
the 'Three Colours' trilogy, imagines three different possible outcomes in
the young man's life: joining the Communist party, involvement in the
political underground and an apolitical, happily married life as a doctor.
El Bonaerense
(Pablo Trapero / Ar, Fr, Nl, Cl / 2002 / 102 mins / col / Spanish with
subtitles / Cert 15)
Thirty-five year-old Zapa is a hard-working locksmith living in rural
Argentina. When his boss asks him to crack a safe for some special
clients, he has no choice. To escape prison he is forced to leave for
Buenos Aires, where he signs up as a police cadet. In time he becomes a
member of the Bonaerense: a member of Argentina's most brutal and corrupt
police force. Now he has the power to make the rules...
Camera Buff
(Krzysztof Kieslowski / Po / 1979 / 106 mins / col / Polish with subtitles
/ Cert PG)
Filip, a clerk in a small Polish town, buys an 8mm camera to film the baby
his wife is expecting. His bosses take an interest in it and commission
him to film the company's 25th anniversary celebrations. When the result
wins a prize at an amateur film festival, Filip, encouraged by his
success, becomes consumed by his new found passion. But as he develops his
creative skills, Filip soon discovers that his devotion to making films
has unexpected consequences as tensions arise in his marriage, his
managers impose censorship upon him and his films inadvertently lead to
the sacking of a colleague…
Campfire Films by Bavo Defurne
(Bavo Defurne / Be / 1995-2000 / 56 mins / b&w & col / English and
Dutch with English subtitles / Cert 12)
Bavo Defurne's rich and beautiful short films examine gay love and loss
and mark the emergence of one of Europe's most exciting young filmmakers.
The Canterbury Tales
(Pier Paolo Pasolini, It, Fr / 1972 / 107 mins / col / Italian with
subtitles / Cert 15)
A free-flowing Breugelesque adaptation based on the 14th century stories
of Geoffrey Chaucer, the film is also an exploration of the kind of folk
tales and peasant motifs that were always close to Pasolini's heart. From
this rich source of ribald material, the director displays his utopian
vision of a peasantry free from guilt and moral inhibition.
The Captive
(Chantal Akerman / Fr, Be / 2000 / 112 mins / col / French with subtitles
/ Cert 15)
Taking inspiration from Marcel Proust's epic masterwork A la Recherche du
Temps Perdu, The Captive tells the story of Ariane, who lives in a
grandiose Parisian apartment with her lover Simon. Convinced she leads a
double life, Simon obsessively keeps her under constant surveillance but
Ariane remains detached and elusive, ensuring Simon's obsession becomes
dangerously consuming…
The Caretaker
(Clive Donner / GB / 1963 / b&w / 100 minutes / Cert PG)
Starring Donald Pleasence, Alan Bates and Robert Shaw, Clive Donner's
sensitive adaptation of Harold Pinter's most famous play becomes a study
of shared illusion, tragic dispossession and a fraternal bond of unspoken
love, combining mesmerising performances and the magic of Pinter's
dialogue to create a spellbinding film.
Carmen Jones
(Otto Preminger / US / 1954 / col / 103 mins / Cert U)
This sizzling screen version of Bizet's opera Carmen, updated for an
all-black cast, stars Dorothy Dandridge, whose vibrant performance
resulted in the first Oscar nomination for a black actress. She stars in
the title role as a passionate, sexy creature who lures handsome GI Joe
(Harry Belafonte) away from his sweetheart.
The Carriers are Waiting
(Benoît Maraige / Be, Fr, Sw / 1999 / 90 mins / b&w / French with
subtitles / Cert 15)
Dreaming of a better life for himself and his family, Roger resolves to
make history by breaking a world record - any record - and settles upon
surpassing the previous achievement for door opening: 40,000 times in 24
hours. Wildly original and very funny, the film wryly satirises our
achievement-obsessed society and contains a most memorable comic creation
in the maniacally driven Roger.
Le Cercle rouge
(Jean-Pierre Melville / Fr / 1970 / 140 mins / col / French with subtitles
/ Cert PG)
The godfather of the Nouvelle Vague, Jean-Pierre Melville inspired
directors from Jean-Luc Godard and Francois Truffaut to Quentin Tarantino,
John Woo and Wong Kar-Wai. Melville admired American culture as epitomised
by Hollywood movies of the 30s and 40s and certainly crime has never
looked cooler in this definitive heist movie. With superb support from
Yves Montand, Gian-Maria Volonté and French comedy legend Bourvil, it is
cold-eyed Alain Delon who excels as the quintessential Melville anti-hero.
(Other Melville titles available: Le Doulos; Léon Morin, prêtre)
Charge of the Light Brigade
(Tony Richardson / GB / 1968 / 132 mins / col / Cert PG)
The events leading up to British involvement in the Crimean War are
subjected to revisionist 60s satire. Stunning battle sequences, a
prestigious cast (Vanessa Redgrave, John Gielgud, Trevor Howard et al),
and inventive animated sequences by Richard Williams throughout still
command respect.
Le Chignon D'Olga
(Jérôme Bonnell / Fr / 2002 / 92 mins / col / French with subtitles /
Cert 15)
A tender romantic comedy-drama set in a provincial French town, it tells
the story of brother and sister Julien and Emma, grieving after the recent
loss of their mother. As the summer draws to a close, Julien aimlessly
wanders the streets until one day he encounters Olga, a beautiful young
woman who works in a bookshop. Bonnell's remarkably confident debut
received widespread critical acclaim and favourable comparisons to the
work of French filmmaking master Eric Rohmer.
The Circle
(Jafar Panahi / Ir, It / 2000 / 91 mins / col / Farsi with subtitles /
Cert PG)
A harrowingly powerful film by Jafar Panahi, a Golden Lion winner at
Venice, which tells of four women bullied and marginalised by a society in
which men dominate. "Powerful... This is a compelling, humane and
deeply serious film" THE GUARDIAN
Claire's Knee
(Eric Rohmer / Fr / 1970 / 106 mins / col / French with subtitles / Cert
PG)
The fifth and most accessible of Rohmer's six 'moral' tales, Claire's Knee
is the story of the temptation of an affianced diplomat while on holiday,
and its successful suppression. The film was rapturously received as a
cinematic equivalent to Jane Austen, although a comparison to fellow
director Joseph L Mankiewicz may be more apt.
The Closet
(Francis Veber / Fr / 2001 / 85 mins / col / French with subtitles / Cert
15)
Pignon, chief accountant at a condom factory, pretends that he is gay in
order to avoid redundancy. As a result, he becomes a colourful personality
and gains a new confidence. This slick French comedy stars Daniel Auteuil
and Gerard Depardieu.
The Cloud-capped Star (Meghe Dhake Tara)
(Ritwik Ghatak / In / 1960 / 120 mins / b&w / Bengali with subtitles /
Cert PG)
A young woman struggles to support her refugee family in 1950s Calcutta; a
bitter critique of the family-as-institution, as well as the harsh social
and economic conditions arising from the Partition.
Code Unknown
(Michael Haneke / Fr / 2000 / 112 mins / col / French with subtitles /
Cert 15)
Winner of the Best Director prize at Cannes in 2001 for the highly
acclaimed The Piano Teacher, Michael Haneke is one of contemporary
cinema's most distinctive and ambitious directors. An altercation on a
Paris street involving a white youth, a black music teacher, an actress,
and a Romanian beggar woman is the incident which links these characters
and that of those close to them. "A Masterpiece of modern European
cinema…Profoundly moving" Geoff Andrew, TIME OUT
The Colour of Paradise (VHS only)
(Majid Majidi / Ir / 2000 / 86 mins / col / Cert PG)
The Colour of Paradise is a fable of a child's innocence and a complex
look at faith and humanity. Visually magnificent and wrenchingly moving,
the film tells of the story of a boy whose inability to see the world only
enhances his ability to feel its powerful forces.
Comedie de l' Innocence
(Raoul Ruiz / Fr / 2000 / 99 mins / col / French with subtitles / Cert PG)
Nine year old Camille announces to his mother Ariane (Isabelle Huppert)
that he wants to go home to his 'real' mother. Ariane humours him but can
only look on helplessly when he throws himself into a stranger's waiting
arms… "A real treat for discerning cinemagoers who want a frisson
of The Sixth Sense" Alexander Walker, EVENING STANDARD
Cool and Crazy
(Knut Erik Jensen / No, Se, Fi / 2001 / 105 mins / Norwegian with
subtitles / Cert 15)
A thoroughly charming docu-musical, dubbed the 'Arctic Buena Vista Social
Club' and a smash hit in its native Norway and around the world, Cool and
Crazy is a warm and affecting portrait of Berlevåg male voice choir and
its eccentric members. "Remarkably affecting… by the end I was in
tears… stunning" TIME OUT
Damnation (part of 2 disc set with Werckmeister Harmonies)
(Béla Tarr / Hu / 1988 / 120 mins / b&w / Hungarian with subtitles /
Cert 15)
Karrer, an intense, gloomy figure, is fixated on a singer, who wants to
end an affair in which they have been involved. So he arranges for her
husband to take part in a smuggling operation and then betrays him to the
police . . . .
Dark Days
(Marc Singer / US / 2000 / 84 mins / col / Cert 15)
First-time filmmaker Marc Singer spent two years living with the
`community' of underground dwellers in a cavernous railway tunnel situated
beneath the streets of mid-town Manhattan, where some of the dwellers have
lived in the tunnel for as long as 25 years.
The Day I Became a Woman
(Marzieh Meshkini / Ir / 2000 / 74 mins / col / Farsi with subtitles /
Cert PG)
This compelling and poignant study of the elementary problems faced by
women in Eastern societies looks at three different generations in a
triptych of subtle, bittersweet and surreal episodes. "Dazzling…
Extraordinary… a joyous inspirational piece of cinema" UNCUT
Decasia
(Bill Morrison / US / 2002 / 70 mins / b&w / Cert U)
Decasia is composed entirely of decaying, nitrate-based archival footage
which appears to melt, burn, drip and deteriorate before our very eyes.
But Decasia is no mere celebration of the psychedelic beauty of decay, for
Morrison has deliberately chosen images which seem to push back against
their own physical disintegration.
The Decameron
(Pier Paolo Pasolini / It, Fr, Ger / 1970 / 107 mins / col / Italian with
subtitles / Cert 18)
In 1970 Pasolini embarked on 'The Trilogy of Life': a series of
entertaining and highly erotic films based on medieval story cycles,
beginning with an interpretation of Boccaccio's bawdy fourteenth-century
Italian folk tales, The Decameron. Creating a stir on its original release
for its frank and anarchic depiction of sexuality, The Decameron was the
first of the Trilogy (followed by The Canterbury Tales and Arabian Nights)
to celebrate the free and uninhibited sexual playfulness that
characterises all three films. Set in fourteen-century Naples The
Decameron captures both the bawdy spirit of the original and something of
the director's joyful sense of himself as a jobbing painter and 'disciple
of Giotto'
The Decline of the American Empire
(Denys Arcand / Ca / 1986 / 97 mins / col / French with subtitles / Cert
18)
Made 17 years before Arcand's award winning and just released The
Barbarians at the Gates, this is a witty and provocative look at the
battle of the sexes. Four men gather at a country retreat to prepare a
gourmet supper, while in the city their female companions are working out
at a health club. Both groups discuss their sex lives, affairs and
seduction techniques and when they finally meet for dinner, the knives are
out, revelations are made and an uncomfortable night is in store for all.
Dekalog
(Krzysztof Kieslowski / Pol / 1988 / 165 mins + 112 mins / col / Polish
with subtitles / Cert 15)
Ten hour long films, loosely based on the Ten Commandments and set in the
same Warsaw apartment block, focusing on the complexities of human
relationships. "A work of classic stature… a master director at the
peak of his powers" THE TIMES
The Devil's Backbone
(Guillermo Del Toro / Sp, Mx / 2001 / 106 mins / col / Cert 15 / Spanish
with subtitles)
A truly terrifying spine-tingler combining state of the art special
effects with towering performances, The Devil's Backbone tells the tale of
a remote Spanish orphanage during the final days of The Spanish Civil War
whose young inhabitants are brutally terrorised by Santi, a decomposing
spirit who stalks the building's dark decaying hallways.
Divine Intervention
(Elia Suleiman / Fr, Pal / 2002 / 92 mins / col / Arabic and Hebrew with
subtitles / Cert 15)
A succession of odd incidents occur in present-day Nazareth.
"Sophisticated wit, filmic references, bold cinematic
strokes...entertaining, good looking … Suleiman's acerbic study of the
Palestinian-Israeli conflict laces whimsical comedy with increasing
bitterness" VARIETY
Dolls
(Takeshi Kitano / Jp /2002 / 113 mins / col / Japanese with subtitles /
Cert 12)
Matsumoto and Sawako were once a happy couple that seemed destined for
marriage. But the age-old pressures of meddling parents and success forced
the young man to make a tragic choice. She now wanders around in a
mindless daze, bound safely to Matsumoto by a long red cord. To curious
eyes, they roam aimlessly. But Matsumoto and Sawako are on a journey in
search of something they have forgotten. A journey that will cover the
four seasons...
Le Doulos
(Jean-Pierre Melville / Fr / 1963 / 108 mins / b&w / French with
subtitles / Cert 12A)
Based on Pierre Lesou's excellent Série Noire novel, Le Doulos is a study
in loyalty, betrayal and ambiguity (a 'doulos' is both a hat and an
informer), boasting one of the most daring narrative twists in the history
of cinema, Nicolas Hayer's superb noir photography and a jazz score by
Paul Misraki and Jacques Loussier.
(Other Melville titles available: Le Cercle rouge; Léon Morin, prêtre)
The Draughtsman's Contract
(Peter Greenaway / GB / 1982 / 104 mins / col / Cert 15)
This witty, stylised, erotic country house murder mystery, set in an
apparently idyllic 17th century Wiltshire, established Peter Greenaway as
a director of international status. Extravagant costumes, a twisting plot,
elegantly barbed dialogue and a mesmerising score by Michael Nyman make
the film a treat for ear, eye and mind.
The Early Films of Peter Greenaway Vol 1
(Peter Greenaway / GB / 1969-78 / 87 mins / col + b&w / Cert PG)
Before the breakthrough of The Draughtsman's Contract (also available to
hire, with A Zed and Two Noughts) Peter Greenaway had made a series of
highly inventive films which established all the obsessions that run
through his later work. In this highly innovative and witty collection of
short films, the subject matter varies widely: the potted history of 37
people who have fallen to their deaths from windows (Windows), a sequence
of 92 maps to guide a dead ornithologist on his way into the afterlife (A
Walk Through It), but all the films are immensely playful and take
pleasure in cataloguing the absurd.
The Early Films of Peter Greenaway Vol 2
(Peter Greenaway / GB / 1978-80 / 224 mins / col / Cert PG)
In Vertical Features Remake, a playful parody of avant-garde theorising,
academics squabble over the filmic intentions of Tulse Luper, Greenaway's
best-known fictional character. The Falls is divided into 92 biographies
of people who have all been affected by the 'VUE', the Violent Unknown
Event, a phenomenon in some way connected with birds and flying. Michael
Nyman provided the score for both films.
The Edge of the World
(Michal Powell / GB / 1937 / 74 mins / b&w)
Shot over four months in the wild, windswept Shetland Islands, Michael
Powell's first independent production establishes the daring techniques
and experimentation that would later become his hallmark. The Edge of the
World tells the moving story of a remote island and its inhabitants whose
traditions and way of life are threatened by a rapidly industrialising
world.
Eloge de l'amour
(Jean-LucGodard / Fr / 2001 / 94 mins / col + b&w / French with
subtitles / Cert 15)
From possibly the most respected and influential European film director of
all time comes Eloge de l'amour, an intelligent, visually ravishing, witty
mediation on life, love and popular culture.
The End of Summer
(Yasujiro Ozu / Jp / 1961 / 103 mins / col / Japanese with subtitles /
Cert U)
Ozu's penultimate film returns to the genre closest to his heart - the
intimate portrayal of Japanese family life, exploring the breakdown of
traditional family values in the face of post-war progress. The Kohayakawa
family sets about running its sake business, arranging to marry off its
youngest daughter Noriko, and exploring the possibility of helping their
widowed daughter-in-law Akiko to remarry.
L' Ennui
(Cédric Kahn / Fr / 1998 / 117 mins / col / French with subtitles / Cert
18)
Martin is tired of teaching philosophy and is put out that his ex-wife is
coping just fine without him. He initiates a highly-charged affair with
the much younger Cecilia, confident that, as her intellectual superior, he
can control the relationship's balance of power. But upon learning that
Cecilia is also seeing a man her own age, Martin's desire becomes an
uncontrollable obsession that threatens to consume him. "Beautifully
crafted, superbly acted, darkly funny" SIGHT AND SOUND
Eureka
(Shinji Aoyama / Jp / 2000 / 210 mins / b&w & col / Japanese with
subtitles / Cert 15)
Three survivors of a violent bus hijacking set off on a long journey
around Japan which becomes a cathartic odyssey of spiritual
self-discovery. "Superbly acted… a remarkable triumph" SIGHT
AND SOUND
Europa Europa
(Agnieszka Holland / Fr, Ge / 1991 / 111 mins / col / German with
subtitles / Cert 15)
A young Polish Jew escapes death during World War II by successfully
posing as a loyal German Nazi; an unsettling film, based on a true story.
Fallen Angel
(Otto Preminger / US / 1945 / 98 mins / b&w / Cert PG)
In this murder mystery story, Eric Stanton (Dana Andrews), a press agent
down on his luck, drifts into a small coastal town in California having
been thrown off a bus. He meets June (Alice Faye), a wealthy but reclusive
woman, and has his eye on Stella (Linda Darnell), a sultry gold-digging
waitress. In love with Stella but broke, Eric decides to marry June, steal
her fortune, and then divorce her in favour of Stella. However, when
Stella is suddenly and mysteriously murdered, he becomes a suspect and
things begin to go wrong…
Fanny and Alexander
(Ingmar Bergman / Sw, Fr, Ge / 1982 / 167 mins + 142 mins / col / Swedish
with subtitles / Cert 15)
The Oscar winning Fanny & Alexander is the culmination of a lifetime's
work by one of cinema's greatest artists, Ingmar Bergman. The story is a
rich tapestry of one year in the life of a large and well-to-do theatrical
family living in a Swedish provincial town at the turn of the century.
This is the complete version of the film.
The Farewell; Brecht's Last Summer
(Jan Schütte / Ge / 2000 / 89 mins / col / German with subtitles / Cert
15)
At the end of an exceptionally hot summer, playwright Bertolt Brecht
prepares to leave his tranquil lakeside house to return to Berlin for the
forthcoming theatre season. Most of the many women in his life are there:
his wife, daughter, old lovers and current flames. The serenity of the
countryside stands in stark contrast to the deep, volatile emotions of the
characters: love and hatred, jealousy and egomania, betrayal and dashed
hopes. And all the while, Brecht, superbly played by Josef Bierbichler,
struggles to make plans for the future that fate is about to cut short.
"Affecting…touching…nothing short of genius" THE TIMES
Fausto 5.0
(Isidro Ortiz / Sp / 2001 / 94 mins / col / Spanish with subtitles / Cert
18)
A conflict between reason and instinct. Dr Faust, a well-known specialist
in terminal medicine, is deeply depressed. While attending a conference,
he meets a former patient, Santos, whom - eight years ago - he had
diagnosed as having only months to live. Together they set off on a life
or death journey in the depths of the city, where the buildings are
suffering from a strange virus. Faust must struggle against death, his own
desires, against Santos and himself.
Films of Phil Mulloy
(Phil Mulloy / GB / 1991-2001 / 153 mins / col & b&w / Cert 18)
The provocative work of multi-award-winning animator Phil Mulloy stands as
a model of satiric grotesque unparalleled in British animation. The
antidote to all that is kitsch and sentimental, these direct, witty and
acerbic fables, drawn in brush and ink, perceptively comment on human
nature and challenge contemporary values. Definitely not for the squeamish
or prudish, this definitive compilation of 24 films contains sex,
violence, and scenes calculated to outrage horses!
Floating Weeds
(Yasujiro Ozu / Jp / 1959 / col / 119 mins / Japanese with subtitles /
Cert PG)
In one of Ozu's mature masterpieces, an ageing actor returns with his
troupe to a provincial town. There he is reunited with his former lover
and his illegitimate son, who believes that the actor is his uncle. The
actor's desire to be with his long-lost family enrages his present
mistress, who spins an elaborate web of deceit that leads to heartbreak
for them all.
George Washington
(David Gordon Green / US / 2000 / 89 mins / col / Cert 12)
This is the captivating and beautifully shot story of a group of children
on the verge of adulthood during one long, hot summer. Set in a rural town
in North Carolina, the group of youngsters find themselves caught in a
tragic lie after an innocent game goes wrong. David Gordon Green's debut,
he won the Special Jury Prize at Sundance 2003 with All the Real Girls and
is set to direct Miramax's adaptation of John Kennedy Toole's novel A
Confederacy of Dunces.
The Girl from Paris
(Christian Carion / Fr / 2000 / 99 mins / col / French with subtitles /
Cert 15)
Fed up with city life, Sandrine decides to leave Paris and live out her
dream of becoming a farmer, taking over a farmstead on the Vercors plateau
from cantankerous farming veteran Adrien. Set against the backdrop of
beautiful French countryside, and featuring sparkling performances The
Girl from Paris tells the engaging tale of two mismatched opposites who
gradually, and grudgingly, learn to appreciate one another.
Happy Together
(Wong Kar Wai / HK / 1997 / col & b&w / Cantonese, Mandarin and
Spanish with subtitles / Cert 15)
Lai and Ho arrive in Argentina as lovers, but while driving south in
search of adventures, something goes wrong and Ho leaves for Buenos Aires.
Devastated, Lai finds work in a tango bar and attempts to carry on, but is
consumed with the thought of being 'happy together' once again with Ho. A
heady cocktail of sound and vision from the director of In the Mood for
Love and Chungking Express.
Harry He's Here To Help
(Dominik Moll / Fr / 2000 / 112 mins / col / French with subtitles / Cert
15)
A quirky comedy/thriller cum psychological study in which Michel, on
holiday with his family, is followed by an old school mate whose motives
soon appear less than friendly, and certainly not helpful! The magnetic
performance of Sergi Lopez in the title role won him Best Actor accolade
at the 2000 European Film Awards and César Awards 2000. "Fresh,
funny and very stylish" Geoff Andrew, TIME OUT
He Loves Me, He Loves Me Not…
(Laetitia Colombani / Fr / 2002 / 95 mins / col / French with subtitles /
Cert 12)
A dark romantic thriller starring BAFTA and Cesar-nominated Audrey Tautou
in her first major role after Amelie. Tautou stars as Angelique, a young
girl in love with Loic, a married cardiologist and soon-to-be father.
Although their relationship faces many obstacles, they are driven by
passion and determination - though as the film plays out, we see that all
is not as it first seems….
Hidden Fortress
(Akira Kurosawa / Jp / 1958 / 138 mins / b&w / Japanese with subtitles
/ Cert PG)
A story of rival clans, hidden gold and a princess in distress, The Hidden
Fortress is a thrilling mix of fairy story and samurai action film which
became Kurosawa's biggest box-office hit to date. Some twenty years on,
the film's influence would have even greater impact on world box-offices,
when George Lucas borrowed its plot for the first of his Star Wars series.
L' Humanité (VHS only)
(Bruno Dumont / Fr / 1999 / 143 mins / col / French with subtitles / Cert
18)
In a small, close-knit community in North East France, an 11 year old girl
has been raped and murdered. On the hunt for the killer is Police
detective De Winter, an awkward, shy introvert who maintains a close and
voyeuristic relationship with his neighbour and her boyfriend. An almost
child-like innocent, De Winter is appalled by not only the crime, but the
monstrousness of human behaviour. "L' Humanité is one of the best
films of the last ten years" Mark Cousins, Sight and Sound
I Could Read the Sky
(Nichola Bruce / GB, Ie, Fr / 1999 / 86 mins / col & b&w / Cert
15)
Adapted by Nichola Bruce from the acclaimed photographic novel by Timothy
O'Grady and Steve Pyke, I COULD READ THE SKY is a haunting and lyrical
film about identity, love, loss, and the isolation and loneliness of the
immigrant. Dermot Healy movingly portrays a man reflecting upon his life,
from his rural upbringing in the West Coast of Ireland to his journey to
London and experiences in the vividly modern metropolis.
I'm Going Home
(Manoel de Oliveira / Po, Fr / 2001 / 90 mins / col / French with
subtitles & English / Cert PG)
A film about an ageing actor, Gilbert Valence (Michel Piccoli), from the
moment he learns his wife, their only child and her husband died in a car
accident, to the moment he suddenly turns old. "This is a gem: a
small but perfectly formed, perfectly poised and perfectly acted movie,
" Peter Bradshaw, THE GUARDIAN
Ikiru
(Akira Kurosawa / Ja / 1952 / 137 mins / b&w / Japanese with subtitles
/ Cert 12)
A lowly civil servant discovers that he is dying of cancer. After bouts of
self-pity, a spell of hedonism and a doomed attempt at a platonic
relationship, he commits himself doggedly to the task of converting a city
dump into a children's playground. Tough-minded and unsentimental
throughout, this is one of Kurosawa's finest films and also offers a vivid
and satirical portrait of post-war Tokyo.
Interstella 5555
(Kazuhisa Takenochi / Jp, Fr / 2003 / 68 mins / col / Cert PG)
Four musicians from another galaxy are kidnapped by an evil manager to
become
the biggest band on Earth. A continuation of the story told in previous
'Daft Punk' music videos.
It all Starts Today
(Bertrand Tavernier / Fr / 1998 / 114 mins / col / French with subtitles /
Cert 12)
Daniel Lefebvre is the director of a Kindergarten in an economically
depressed area of northern France. Appalled by the deprivation that his
pupils must endure, he determines to rise above the tough conditions and
battle against the tough conditions and battle against a repressive social
and educational system. "A beautifully written, beautifully
photographed and exquisitely constructed treat" TOTAL FILM
Ivan's Childhood
(Andrei Tarkovsky / USSR /1962 / 96 mins / b&w / Russian with
subtitles / Cert PG)
Tarkovsky's auspicious debut depicts the exploits of a young boy caught up
in the horrors of war. After his family and village have been wiped out by
the invading Nazis, 12 year old Ivan joins a Russian partisan regiment.
His missions become increasingly perilous and it is decided that he must
be removed from the action but Ivan determines to carry out one final,
dangerous mission. "With one blow the film annuls a whole
cinémathèque of the war films of all lands" SIGHT AND SOUND
Japón
(Carlos Reygadas / Me, Ge, Sp, Ne / 2002 / 147 mins / col / Spanish with
subtitles)
A middle-aged painter who has retired to a secluded and primitive village
to commit suicide befriends an old woman. A widely acclaimed, oblique and
meditative film, much indebted to the influence of Andrei Tarkovsky.
"Almost miraculous in its confidence and visionary calm." THE
GUARDIAN
Journey to Italy
(Roberto Rossellini / It, Fr / 1953 / b&w / 80 mins / cert PG)
This deceptively simple tale of a bored English couple (George Sanders and
Ingrid Bergman) travelling to Italy to find a buyer for a house inherited
from an uncle is transformed by Roberto Rossellini into a passionate story
of cruelty and cynicism as their marriage disintegrates around them. Now
fifty years old, Journey to Italy is recognised not simply as one of
Rossellini's greatest films, but as a key landmark in the development of
modern cinema.
La Kermesse Heroique
(Jacques Feyder / Fr / 1935 / 109 mins / b&w / French with English
subtitles / Cert 12A)
Sparkling satire set in the little Flemish town of Boom in 1616, during
the twelve year truce between Flanders and Spain, about unexpected
fraternisation between the Flemish and a visiting Spanish army. When the
men suddenly disappear, the Mayor's wife organizes the townswomen to greet
the invaders and preserve the peace with womanly wiles…
Kirikou and the Sorceress
(Michel Ocelot / Fr / 2000 / 74 mins / col animation / Cert U)
Kirikou and the Sorceress was joint winner (with Chicken Run) of the 2002
British Animation Award for Best European Animated Feature. Showing how
tiny but brave Kirikou outwits a powerful sorceress, this enchanting
adventure was inspired by the folk stories of Senegal. Writer-director
Michel Ocelot's fresh vision of Africa is a world away from Disney's
singing lions and features an authentic soundtrack by Youssou N'dour.
Laissez-passer
(Bertrand Tavernier / Fr, Ge, Sp / 2002 / 170 mins / col / French with
subtitles / Cert 12A)
Set in Paris in 1942, Tavernier's film focuses on two Parisian filmmakers,
impulsive Resistance fighter Jean Davaivre and womanising screenwriter
Jean Aurenche, as they and their friends and colleagues face up to and
come to terms with the German occupation.
The Last Resort
(Pawlikowski / GB / 2000 / 77 mins / col / Cert 15)
A Russian woman, Tanya, arrives in England with her young son hoping to
see the English fiancé she met in Moscow. When he fails to turn up at the
airport, Tanya and Artiom are virtually imprisoned in an asylum camp in a
deserted seaside resort. Tanya gradually develops a relationship with an
amusement arcade manager (Paddy Considine) who helps them escape.
Fortified by great performances from the three lead characters, this is an
amusing and fresh look at life on the fringe of modern British society.
Late August, Early September
(Olivier Assayas, Fr, 1999, 107 mins, col / Cert 15)
Directed by Olivier Assayas (Irma Vep) Late August, Early September is a
perceptive and moving study of love and friendship among a group of young
Parisians over the course of a year. "Immensely satisfying, superbly
acted" WHAT'S ON
Lawless Heart
(Neil Hunter, Tom Hunsinger / GB, US / 2001 / 100 mins / col / Cert 15)
Lawless Heart is a sharp, modern British love story where lust, loyalty
and courage are stretched to the limit. Shocked by the death of a friend,
three men decide to take their lives in hand. But under the influence of
three beguiling women, how far will they go? Seen from three angles, each
view of events reveals the comic and subtle realities of modern
relationships. "Hilarious, fresh and original. A delight of a
movie." UNCUT
Léon Morin, prêtre
(Jean-Pierre Melville / Fr, It / 1961 / 114 mins / b&w / French with
English subtitles / Cert PG)
For his second film about occupied France and his first mainstream
venture, Jean-Pierre Melville turned to Beatrix Beck's autobiographical
novel and two hot New Wave stars - Emmanuele Riva as Barny the atheist
widow, and Jean-Paul Belmondo as Morin, the Catholic priest - charting
their complex personal and religious relationship against troubled times.
A box-office and critical hit, this is the nearest to a Melvillian
'woman's film', but the film belongs to Belmondo's erotically-charged
performance.
Liam
(Stephen Frears / GB, Ge / 2000 / 91 mins / col / Cert 15)
Set in 1930s Liverpool, Liam tells the story of a family's struggle to
keep things together amidst the ravages of the depression, vividly told
from the viewpoint of a seven-year old boy. Directed by acclaimed
filmmaker Stephen Frears and written by the prolific TV and feature film
writer Jimmy McGovern, this is a hard hitting, powerful drama that manages
to convey humour and affection. "Intimate and touching"
Alexander Walker, EVENING STANDARD
The Loneliness of the Long Distance Runner
(Tony Richardson / GB / 1962 / 104 mins / b&w / Cert 12)
Tom Courtenay, in his debut role, plays Colin Smith, a juvenile delinquent
sentenced to a Borstal for burglary. Sullen and antisocial, he finds
freedom in the solitude of cross-country running. When his sporting
prowess catches the eye of the smug governor (Michael Redgrave) he is
coached to compete in a race against a local public school. The governor
dreams of sporting glory, but Colin dreams of revenge…
Lost in La Mancha
(Keith Fulton and Louis Pepe / GB / 2002 / 93 mins / col / Cert 15)
In a genre that exists to hype films before their release, Lost In La
Mancha presents an unexpected twist: it is the story of a film that does
not exist. Instead of a sanitised glimpse behind the scenes, Lost In La
Mancha offers a unique, in-depth look at the harsher realities of
filmmaking. With drama that ranges from personal conflicts to epic storms,
this is a record of a film (based on Don Quixote and directed by Terry
Gilliam) disintegrating.
Maîtresse
(Barbet Schroeder / Fr / 1976 / 108 mins / col / French with subtitles /
cert 18)
Based on an encounter with a real life dominatrix, Schroeder's
controversial story of a Paris prostitute specialising in bondage and Sado-masochism
is presented here uncut for the first time in the UK. Featuring a youthful
Gerard Depardieu as the young innocent who falls for the mysterious
maîtresse, and Bulle Ogier as the leather clad dominatrix, the film is
both a conventional love story and a dark study of fetishism.
Man with a Movie Camera
(Dziga Vertov / USSR / 1929 / 138 mins / b&w / silent with music /
Cert E)
This playful film is at once a documentary of a day in the life of the
Soviet Union, a documentary of the filming of the documentary, and a
depiction of an audience watching the film.
Merci pour le chocolat
(Claude Chabrol / Fr / 2000 / 97 mins / col / French with subtitles / Cert
15)
Isabel Huppert is stunning as the duplicitous central character in this
tense and intricate thriller from master French Filmmaker Claude Chabrol.
"Intriguing, stylish, elegant" Peter Bradshaw, THE GUARDIAN
Minor Mishaps
(Annette K Olesen / Dk / 2002 / 109 mins / col / Danish with subtitles)
An enjoyable Danish film about a hospital porter close to retirement
reacting, along with his workaholic son, two mixed-up daughters and his
unhappily married brother, to the death of his wife of 46 years.
Mirror
(Andrei Tarkovsky / USSR / 1974 / 102 mins / col + b&w / Russian with
subtitles / Cert U)
Celebrated Russian filmmaker Andrei Tarkovsky's Mirror is his most
autobiographical work in which he reflects upon his childhood and the
destiny of the Russian people, and particularly their experiences during
Stalin's reign.
"A dazzlingly beautiful film, fascinating in its visual splendour…
it is an experience which should not be missed" THE TIMES
Monday Morning
(Otar Iosseliani / Fr, It / 2002 / 122 minutes / col / French with
subtitles / Cert PG)
Desperate to escape his monotonous routine of insular village and family
life, and an unrewarding factory job, Vincent decides to travel to Venice
and see what's missing from his life… "Possibly the loveliest film
of the year... a wry comic parable out of this extended look at solitude,
solidarity, everyday rituals and dreams of freedom." David Cox, i-D
More
(Barbet Schroeder / Lux, Fr / 1969 / 111 mins / col / French with
subtitles / Cert 18)
This dark tale, based on a true story, follows the naïve Stefan (Klaus
Grünberg) in his pursuit of off-beat American Estelle (Mimsy Farmer) to
the island paradise of Ibiza. He leads a seemingly idyllic life with her
by the sea - where the scenic beauties and delights of LSD and nude
sunbathing are reflected by Nestor Almendros' stunning photography -
before succumbing to the destructive trappings of heroin addiction. Famous
for its subdued, moody Pink Floyd soundtrack.
Mrs Dalloway
(Marleen Gorris / GB / 1997 / 97 mins / col / Cert PG)
Vanessa Redgrave plays MP's wife Clarissa Dalloway, whose life is thrown
into crisis when a lover she rejected 30 years ago makes an unexpected
appearance at a party she is hosting at her elegant London home, prompting
bittersweet memories of her youth. Beautifully filmed in period London and
featuring an outstanding cast Oscar winner Marleen Gorris' film perfectly
captures Virginia Woolf's concerns about choice, truth and destiny.
Name of a River
(Anup Singh / GB, In, Ba / 2003 / 90 mins / Bengali with subtitles / col)
The Name of a River is an ambitious, evocative epic/essay/biopic that
explores the life and work of the great Indian filmmaker Ritwik Ghatak.
The film covers an enormous wealth of visual, aural and intellectual
ground within its 90 minutes, presenting its audience with a dreamlike
odyssey through a history, a life and a work that we, the viewers,
encounter in the shape of landscapes and music, lovers and gods, myths and
memories, literature and cinema.
The Navigators
(Ken Loach / GB, Es, It, Fr / 2001 / 96 mins / col / Cert 15)
Ken Loach's film is the powerful story of a group of South Yorkshire
railway track workers at the time of the privatisation of British Rail. As
the profound effects of privatisation and the grave repercussions for the
safety of the rail system become apparent, the solidarity of the men,
previously unified by a sense of community and pride in a working
tradition, begins to crumble.
Nine Queens
(Fabien Bielinsky / Ar / 2001 / 114 mins / col / Spanish with subtitles /
Cert 15)
The highly praised debut from Argentinian director Fabian Bielinsky. Nine
Queens is a heist caper, propelled by ingenious twists and turns, about
two con artists who become involved in a plot to steal a set of priceless
German stamps.
No End
(Krzysztof Kieslowski / Po / 1984 / 108 mins / col / Polish with subtitles
/ Cert 15)
The ghost of a young lawyer, Antek, observes the realm of the living in
the Poland of 1982, during the country's period of martial law. Thanks to
the help of his widow, Ulla, one of Antek's former clients - a worker
accused of being an opposition activist - will now be defended by one of
Antek's colleagues - an older, experienced lawyer. A highly original blend
of ghost story, political drama and meditation on the nature of love.
Nosferatu
(F W Murnau / Ge / 1922 / 89 mins / b&w & tinted / silent with
music / Cert PG)
Nosferatu is the original Dracula movie - and still, after eighty years,
the scariest. F W Murnau's visionary direction and the chilling
performance of Max Schreck in the title role make this an undeniable
masterpiece.
Nostalgia
(Andrei Tarkovsky / It, USSR / 1983 / 120 mins / col & b&w /
Italian with subtitles / Cert 15)
Tarkovsky's unforgettably haunting film, his first to be made outside
Russia,
explores the melancholy of the expatriate through the film's protagonist,
Gorchakov, a Russian poet researching in Italy. "Spectacular,
astonishing... the nearest to poetry that cinema can ever aspire"
FINANCIAL TIMES
The Officer's Ward
(Francois Dupeyron / Fr / 2001 / 135 mins / col / French with subtitles /
Cert 15)
Selected in competition for the Cannes Film Festival 2001, The Officer's
Ward tells the dramatic story of Adrien, a young First World War officer
recovering from his horrific injuries. Adapted from the hugely successful
novel by Marc Dugain, it's an epic and extremely affecting affair. Highly
recommended.
Ossessione
(Luchino Visconti / It / 1942 / 140 mins / b&w / Italian with
subtitles / Cert PG)
The second unauthorised European version of The Postman Always Rings
Twice, James M Cain's classic tale of love, murder and betrayal. Often
cited as an the earliest example of neo-realism, Visconti's stunning debut
nonetheless reveals his characteristic pictorial sense and considered use
of music.
Pandaemonium
(Julien Temple / GB, US / 2000 / 124 mins / col / Cert 12)
A powerful look at the lives of two of the English language's greatest
poets, Samuel Taylor Coleridge and William Wordsworth, Pandaemonium is one
of those rare films that communicates the passions that drive great
writers and intellects.
Partie de campagne
(Jean Renoir / Fr / 1936 / b&w / 39 mins / cert PG)
Renoir's masterly adaptation of a short story by Guy de Maupassant is
perhaps his best-loved film. On a country picnic a young girl leaves her
family and fiancé for a while and succumbs to a brief romance. Renoir's
sensuous tribute to the countryside - and to the river - has seldom been
surpassed.
A Personal Journey with Martin Scorsese through American Movies
(Martin Scorsese & Michael Wilson / GB, US / 1995 / 224 mins / col
& b&w / Cert E)
A fascinating exploration of some of the landmarks of American cinema, as
well as some of its lesser-known byways. Under chapter headings such as
The Director's Dilemma or The Director as Iconoclast, Scorsese analyses
the work of filmmakers as diverse as D W Griffith, F W Murnau, Sam Fuller
and John Cassavetes. This is no academic history, but a declaration of
passion for cinema from one of its most celebrated contemporary
practitioners.
Petites Coupures
(Pascal Bonitzer / Fr / 2002 / 96 mins / col / French with subtitles /
Cert 15)
Bruno (Daniel Auteuil) is a communist newspaper journalist suffering a
mid-life crisis. Torn between his wife Gaëlle (Emmanuel Devos) and his
young girlfriend Nathalie (Ludivine Sagnier), his political beliefs
battered by the wind of history, Bruno seems to have lost his bearings.
After responding to a call for help from his uncle (Jean Yanne), who is
fighting a losing battle for re-election as the communist mayor of a small
town near Grenoble, Bruno gets lost in a dark forest. There he meets
Béatrice (Kristin Scott Thomas), who does nothing to stop him getting
even more lost...
The Piano Teacher
(Michael Haneke / Aus, Fr / 2001 / 129 mins / col / French with subtitles/
Cert 18)
Isabelle Huppert gives a performance of astounding emotional intensity as
a piano teacher at the Vienna Conservatory whose carefully constructed
insular world is shattered by a passionate affair with a student. Winner
of the Grand Prix, Best Actress and Best Actor awards at Cannes 2001.
Piccadilly
(E A Dupont / GB / 1929 / 108 mins / b&w / Silent / Cert PG)
One of the pinnacles of British silent cinema, Piccadilly is a sumptuous
showbiz melodrama seething with sexual and racial tension.
Chinese-American screen goddess Anna May Wong stars as Shosho, a scullery
maid in a fashionable London nightclub whose exotic dance routines catch
the eye of suave club owner Valentine Wilmot. She rises to become the
toast of London and the object of his erotic obsession - to the bitter
jealousy of Mabel, his former lover and star dancer (played by Ziegfeld
Follies star Gilda Gray). "It's a bold, beautifully crafted,
completely modern picture - one of the truly great films of the silent
era" Martin Scorsese, 2004.
Place Vendôme
(Nicole Garcia / Fr / 1998 / 113 mins / col / French with subtitles / Cert
15)
Marianne (Catherine Deneuve) is at a terrible crossroads in her life,
following her husband Vincent's apparent suicide and the revelation that
his prestigious jewellery business is riddled with crippling debt.
Resolving to put her alcoholism behind her and re-enter the jewellery
business herself, Marianne unwittingly enters the shady underworld of the
diamond trade, uncovering a sinister web of intrigue that will lead to a
mysterious former lover and a dangerous struggle for her own survival.
Platform
(Jia Zhang Ke / Ch, Jp, Fr / 2000 / 150 mins / col / Mandarin with
subtitles / Cert 15)
Jia Zhang Ke's ambitious film follows the lives of four friends over a
turbulent
10 year period of Chinese history, from 1979 to 1989. Named after a hit
80s Chinese pop song, Platform gives a vivid insight into modern China and
absorbingly documents the sweeping social changes experienced by its
people. "Remarkable... the most impressive film to have come out of
China in the past five years" THE TIMES
Playtime
(Jacques Tati / Fr / 1967 / 113 mins / col / French with English subtitles
/ Cert U)
Monsieur Hulot is on the prowl again, but the real star is the fabulously
expensive city set that Tati constructed to reflect his vision of a future
Paris. Shot on 70mm and in near monochrome steely grey, the highly formal
and nearly plotless comedy is a strange vehicle for Tati's worries over
dehumanisation.
Pola X (VHS only)
(Leos Carax / Fr / 1999 / 130 mins / col / French with subtitles / cert
18)
Pola X is an impassioned adaptation of Herman Melville's 'Pierre of the
ambiguities' by Leos Carax, director of 'Les Amants du Pont Neuf' and one
of French cinema's most daring and controversial directors.
"Breathtaking... haunts the imagination" The New Yorker
The Polish Bride (VHS only)
(Kariam Traïdia / Nl / 1999 / 93 mins / col / Dutch with subtitles / Cert
15)
Hoping for a better future, Anna is lured from Poland to Holland under
false pretences by two men who want her to work in a brothel. She manages
to escape and is found beaten and bleeding by Henk, a taciturn farmer who
shelters the weakened and terrified Anna until she recovers. Anna begins
to put order into Henk's solitary life, while he attempts to instil in
Anna his love for the countryside. Their blossoming relationship is
threatened, however, when Anna's former 'employers' come looking for her.
"From first to last shot... totally absorbing... a small piece of
humanity" Evening Standard
Rashomon
(Akira Kurosawa / Jp / 1950 / 86 mins / b&w / Japanese with subtitles
/ Cert 12)
A woodcutter witnesses a horrific series of events - an ambush, rape and
murder. In the telling of the tale, however, each of the four participants
gives a different view of what actually happened - is anyone telling the
truth? Kurosawa's masterly and influential film plays on the subjective
nature of truth while unfurling a riveting tale of violence and greed.
Red Beard
(Akira Kurosawa / Jp / 1965 / 172 mins / b&w / Japanese with subtitles
/ Cert 15)
Toshiro Mifune stars in this 'intimate epic' as a doctor in a nineteenth
century rural hospital desperately in need of modernization. An ambitious
young intern, to his horror, finds himself posted to this backwater and is
tutored by Mifune to appreciate that care for the poor is more important
than a society practice.
Regeneration
(Gilles Mackinnon / GB, Ca / 1997 / 109 mins / col / Cert 15)
A highly praised adaptation of Pat Barker's Booker Prize-winning novel,
Regeneration is a moving and powerful story of war and its devastating
effects. Set in a military psychiatric hospital during World War 1, the
film tells of a real life encounter between army psychologist Dr William
Rivers (Jonathan Pryce) and the poet Siegfried Sassoon (James Wilby),
institutionalised in an attempt to undermine his public disapproval of the
war. "Intelligent and very moving... Superb performances from a
marvellous cast" TIME OUT
La Regle du jeu
(Jean Renoir / Fr / 1939 / 110 mins / b&w / French with subtitles)
Jean Renoir's tale of romantic intrigues at a weekend shooting party in a
country chateau is now widely recognised as one of the greatest films ever
made. In this study of the corruption and decay within French society as
it teeters on the brink of war, Renoir nonetheless suspends his judgement,
with one character observing that 'Everyone has their reasons'.
A River called Titas (Titas Ekti Nadir Naam)
(Ritwik Ghatak / In / 1973 / 159 mins / b&w / Bengali with subtitles /
Cert PG)
An epic depiction of the tragic lives of a small fishing community in
Ritwik Ghatak's native Bengal, a raw and powerful tale of a drying river
and with it a dying civilisation, a grim recognition of the inevitability
of change and the terrible cyclical power of loss and resurrection.
Roberto Succo
(Cédric Kahn / Fr / 2001 / 120 mins / col / French with subtitles / Cert
18)
In 1986, Roberto Succo escaped from an Italian mental institution, where
he had been incarcerated for the brutal murder of his parents, and fled to
France where he left a trail of inexplicable murders, rapes and
abductions. This gripping dramatisation of true events gives a terrifying
insight into the disturbed mind of a serial killer and also follows the
desperate attempts by the police to hunt down France's most wanted man.
Rosetta
(Luc & Jean-Pierre Dardenne / Be, Fr / 1999 / 90 mins / col / French
with subtitles / Cert 15)
Deserved winner of the Palme d'Or at Cannes in 1999, Rosetta is an
extraordinary, unforgettable but vividly realistic portrait of a
resourceful teenage girl struggling to find her way in a tough world.
Written and directed with great skill and searing intensity by
writer/director brothers Luc and Jean-Pierre Dardenne, the film also stars
first time actor Emilie Dequenne who won the Cannes Best Actress award for
her outstanding realisation of the title role.
"***** Luminous, compassionate... Nothing short of classic" THE
GUARDIAN
(NB: the DVD comes with the Dardenne brothers' earlier film La Promesse)
Russian Ark
(Alexander Sokurov / Rus, Ge / 2002 / 96 mins / col / Russian with
subtitles / Cert U)
Alexander Sokurov's extraordinary masterpiece, Russian Ark is a unique
journey through time and Russian history. Filmed entirely in the State
Hermitage Museum, in St. Petersburg, Sokurov's breathtaking film recreates
300 years of history and culture and is the first entirely unedited,
single take, full-length feature film.
Sacrifice
(Andrei Tarkovsky / Fr, Sw / 1986 / 142 mins + 97 mins / col / Swedish
with subtitles / Cert PG)
Tarkovsky's final film, a visionary masterpiece, unfolds in the hours
before
a nuclear holocaust. Alexander, a retired actor, is celebrating his
birthday with family and friends when a crackly TV announcement warns of
imminent nuclear catastrophe. Alexander makes a promise to God that he
will sacrifice all he holds dear, if the disaster can be averted. The next
day dawns and, as if in a dream, everything is restored to normality. But
Alexander must now keep his vow...
Salò (120 giornate di Sodoma)
(Pier Paolo Pasolini / It, Fr / 1975 / 112 mins / col / Italian with
subtitles / Cert 18)
Banned, censored and reviled the world over since its first release in
1975, Salò has rarely been shown in its complete form in Britain and did
not receive BBFVC certification until late 2000, when it was passed uncut.
The film Salò is based on the Marquis de Sade's novel 120 Days of Sodom,
with the setting transposed to an empty Lake Garda mansion in Mussolini's
miniature Fascist Republic of Salò, Italy in 1944. Four wealthy and
powerful libertines gather in a palazzo to organise a gluttonous,
theatrical series of sexual tortures to be inflicted upon a terrified
collection of subjugated young men and women.
Saltwater
(Conor McPherson / Ire, UK / 2000 / 92 mins / col / Cert 15)
An engaging and immaculately acted comedy drama, Saltwater is the first
feature film from Conor McPherson, playwright of the hugely successful
'The Weir'. For the Beneventi family, grieving the year long loss of their
mother and struggling to make a living from their chip shop, the future in
a depressed out of season resort seems particularly bleak. Father Joe
(Brian Cox) is in debt to the local loan shark, youngest son Joe has
fallen in with a bad lot, while daughter Carmel is dating a philandering
philosophy lecturer. But when eldest son Frank robs the local betting
shop, things begin to look a little better...
Sanjuro
(Akira Kurosawa / Jp / 1962 / 95 mins / b&w / Japanese with subtitles
/ Cert 12)
On the heels of the hugely successful Yojimbo, Kurosawa made his funniest
and least serious excursion into the samurai genre. Reprising his role as
'the man with no name', Toshiro Mifune is a shambling, bedraggled
character -half Robin Hood, half John Wayne in True Grit - who runs rings
around nine would-be samurai and two genteel ladies, and deals with some
civic corruption. The fight scene at the finale is breathtakingly swift
and violent.
Saturday Night and Sunday Morning
(Karel Reisz / GB / 1960 / 89 mins / b&w / Cert PG)
The rebellious energy of post-war theatre's 'angry young man' erupted on
screen in 1960 with Karel Reisz's radical drama Saturday Night and Sunday
Morning. Arthur Seaton (Albert Finney), first seen amid the noise of a
Nottingham factory, is a young labourer who just wants to get through the
week and raise hell at the weekend: "All I want is a good time. The
rest is propaganda".
The Scar
(Krzysztof Kieslowski / Po / 1976 / 106 mins / col / Polish with subtitles
/ Cert 18)
In the impoverished Polish town of Olecko, Stefan Bendarz is put in charge
of a large chemical plant, which is being built against the wishes of the
local populace. Although it will improve the town's economic prospects and
provide badly needed new jobs, the factory will also mean the destruction
of many homes and adversely affect the environment. Despite his best
efforts to convince the townspeople of the benefits, Bendarz has
difficulty reconciling the gulf between his good intentions and reality.
Le Secret
(Virginie Wagon / Fr / 2000 / 109 mins / col / French with subtitles /
Cert 18)
An erotic uplifting tale of a woman's self-discovery. Marie is thirty-five
years old, has been married to Francois for 12 years and has a two-year
old son. François would like another child but Marie is not sure she
wants one, although she doesn't know why. She then meets the enigmatic
Bill, a 50 year-old African American and a passionate affair develops…
Secret Ballot
(Babak Payami / Ir, It, Ca, Ne, Sw / 2001 / 105 mins / col / Farsi with
subtitles / Cert U)
It is Election Day in a remote part of Iran. A young soldier escorts the
female electoral officer, in charge of the mobile electoral seat and
voting on the islands, as she obstinately collects votes from the island's
polling stations. The two get to know each other while a series of absurd
events occur during the day. "Secret Ballot is a funny, touching road
movie… celebrates the beneficial possibilities of democracy."
Philip French, THE OBSERVER
Seven Samurai
(Akira Kurosawa / Jp / 1954 / 190 mins / b&w / Japanese with subtitles
/ Cert PG)
Kurosawa's masterful eastern Western, set in seventeenth century Japan,
brings together seven warriors to defend an unprotected village from
bandits. Toshiro Mifune is memorable as the would-be samurai and Takashi
Shimura is the ageing, charismatic samurai leader. As skilled in its
delineation of character as in its brutal action sequences, the film has
been recycled in many forms, most notably in The Magnificent Seven (1960).
Sex is Comedy
(Catherine Breillat / Fr / 2002 / 89 mins / col / French with subtitles /
Cert 18)
Breillat investigates and attempts to under-stand what happens on a shoot
when scenes involving physical intimacy arise. How can something as
intimate as the sexual act be captured on film? How can psychological and
logical reality, along with the 'show' aspect of the act, be set aside, so
that one is just left with the body?
A Short Film about Killing
(Krzysztof Kieslowski / Po / 1988 / 83 mins / col / Polish with subtitles
/ Cert 15)
A disaffected young man murders a taxi driver and is put on trial by the
state.
Though defended by an idealistic lawyer, he is finally sentenced to death
by hanging for his crime. Disturbing, thought provoking and graphically
filmed in harrowing detail, A Short Film about Killing won numerous awards
including the Jury Price at the 1988 Cannes Film Festival.
A Short Film About Love
(Krzysztof Kieslowski / Po / 1988 / 83 mins / col / Polish with subtitles
/ Cert 15)
A young man falls in love with an older woman who lives across the
courtyard in the same Warsaw apartment block. He watches her and her
succession of lovers until she becomes aware of his spying and confronts
him with a sexual invitation. Featuring a superb score by Zbigniew
Preisner, Kieslowski's interpretation of 'Thou Shalt Not Commit Adultery'
affectingly explores the themes of love and voyeurism.
Sick
(Kirby Dick / US / 1977 / 86 mins / col / Cert 18)
Bob Flanagan was an American performance artist, stand-up comic, poet, and
a lifelong sufferer of cystic fibrosis. He was also a masochist, who found
that his S/M experiences helped him manage the pain of his illness. Kirby
Dick's internationally acclaimed, award-winning film follows Bob and wife
Sheree through the last years of Flanagan's life. It is a deeply moving,
often hilarious profile of a unique artist, giving an insight into
Flanagan's warmth, courage, and especially his sense of humour. "If
you see only one movie this year about a twisted, cuddly, courageous,
fatally diseased, self-mutilating love slave, make sure that movie is
SICK" Time Magazine
Solaris
(Andrei Tarkovsky / USSR / 1972 / 80 mins + 89 mins / col & b&w /
Russian with subtitles / Cert PG)
One of the most distinguished Sci-Fi films ever made, Solaris is a moving
and unsettling vision of memory and humanity which transcends the normal
conventions of its genre. "An extraordinary film of great sensitivity
and lyrical power… engrossing and gravely beautiful" NEWSWEEK
Solas
(Benito Zambrano / Sp / 1998 / 97 mins / col / Spanish with subtitles /
Cert 15)
This moving, heartfelt drama about the uneasy relationship between a
mother and daughter boasts superb performances and has won widespread
critical acclaim and 14 international awards. "A little gem… this
is, simply, a lovely film" UNCUT
Some Like it Hot
(Billy Wilder / US / 1959 / 120 mins / b&w)
Arguably the best and most popular comedy ever made, Jack Lemmon, Tony
Curtis and Marilyn Monroe star in Billy Wilder's rip-roaring, cross
dressing comedy, newly available to hire on DVD.
The Son
(Jean-Pierre & Luc Dardenne / Be, Fr / 2002 / 104 mins / col / French
with subtitles)
From the directors of the Palme d'Or winning Rosetta, a subtle and
disquieting film about a working class man whose life has been devastated
by tragedy, offering an enigmatic and morally complex study of human
emotions.
"Among the finest, most important filmmakers around today… humane
and profoundly moving" TIME OUT
South
(Frank Hurley / GB / 1919 / 80 mins / b&w & col / silent with
original music by Neil Brand)
The gripping film record of Sir Ernest Shackleton's heroic but ill-starred
attempt to cross Antarctica in 1914-16.
Springtime in a Small Town
(Tian Zhuangzhuang / Cn / 2002 / 114 mins / col / Mandarin with subtitles
/ Cert PG)
Springtime, 1946, less than a year since the Japanese withdrew from China.
Yuwen is a young woman, bored and frustrated living in a small town. Her
husband, Dai Liyan, has fallen ill with tubercolosis and they now sleep in
separate rooms. One day, a college friend of her husband's, a doctor,
Zhang Zhichen, visits them. Yuwen and Zhichen are mutually attracted, but
Liyan tries to commit suicide when he recognises their feelings. Zhichen
saves his life and leaves, but things have changed in the Dai household...
"A great director's remake is a Chinese masterpiece… genius"
THE TIMES
Stalker
(Andrei Tarkovsky / USSR / 1979 / Disc 1: 63 mins, Disc 2: 92 mins /
b& w & col / Russian with subtitles / Cert PG)
Hauntingly exploring man's dreams and desires, and the consequences of
realising them, Stalker has been described as one of the greatest science
fiction films of all time. "Never less than epic… the most
impressive of Tarkovsky's films" MONTHLY FILM BULETIN
Start Up.COM
(Chris Hegedus, Jehane Noujaim / US / 2001 / 100 mins / Cert 15)
A riveting behind-the-scenes look at the volatile internet industry, Start
up.COM follows in painfully intimate detail the trials of partners Kaleil
Isaza Tuzman and Tom Herman, best friends since childhood, as they
progress from being rookies with just a business plan to assuming
leadership of a nationally recognised organisation.
Stray Dog
(Akira Kurosawa / Jp / 1949 / 117 mins / b&w / Japanese with subtitles
/ Cert PG)
A masterful mix of film noir and police thriller set on the sweltering
mean streets of Occupied Tokyo. When rookie detective Murakami (Toshiro
Mifune) has his pistol stolen from his pocket while on a bus, his frantic
attempts to track down the thief lead him to an illegal weapons market in
the Tokyo underworld. But the gun has already passed from the pickpocket
to a young gangster, and Murakami's gun is identified as the weapon in the
shooting of a woman. Murakami, overwhelmed with remorse, turns for help to
his older and more experienced senior, Sato (a superb performance by
Takashi Shimura). The race is on to find the shooter before he can strike
again …
Such a Long Journey (VHS only)
(Sturlar Gunnarson / Ca, GB / 1998 / 108 mins / Cert 15)
Such A Long Journey is an intricately layered, wryly humorous story set
against the turbulence of Bombay on the eve of India's 1971 war with
Pakistan. The film stars Roshan Seth as Gustad Noble, a dedicated bank
clerk and devoted family man who sees his modest life unravelling when he
agrees to do a favour for a mysterious old friend.
Suzhou River
(Lou Ye / Cn, Ge / 2000 / 83 mins / col / Mandarin with subtitles / Cert
15)
The Suzhou River is one of the main waterways in Shanghai and serves as
the backdrop for this excellent drama about two complex relationships from
one of China's top current filmmakers, paying homage to Hitchcock's
Vertigo. "Beautifully acted and masterfully controlled..." Peter
Bradshaw, The Guardian
The Tango Lesson
(Sally Potter / GB, Fr, Ar, Ge, Jp / 1997 / 102 mins / English, French
& Spanish language with some subtitles / col / Cert PG)
The director of the joyful Orlando here directs and stars in a
breathtaking dance movie set in Paris, albeit with a perceptive insight
into the nature of male-female relationships and the cultural differences
between the characters. "Sally Potter has revived the Hollywood
musical... Wonderfully uplifting... A delight" Alexander Walker,
EVENING STANDARD
Taste of Cherry (VHS & 16mm only)
(Abbas Kiarostami / Ir / 1997 / 99 mins / col / Farsi with subtitles /
Cert PG)
A prosperous fifty-year old man drives around Tehran trying to find
someone who will kill him himself. Acclaimed Iranian director Kirostami
invites us to witness an intimate and philosophical discourse on the moral
and ethical issues of suicide. "A sublime spiritual parable about
life's possibilities" New York Times
A Taste of Honey
(Tony Richardson / GB / 1961 / b&w / 96 minutes / Cert 15)
Rita Tushingham made her indelible screen debut as Jo, a young girl who
falls pregnant after leaving home and her floozie of a mother - a
revelatory performance by Dora Bryan. Jo befriends Geoff, a gentle,
kind-hearted gay man and they move in together, for a while finding an
innocent but fragile happiness. Tony Richardson, always skilled with
actors, draws fine performances from his entire cast, and this remains an
outstanding example of the British New Wave, shot by its star
cinematographer Walter Lassally.
Temenos
(Nina Davino / GB / 1998 / 75 mins / col / Cert PG)
Temenos explores the phenomenon of visionary experience. The film visits
locations where the Virgin Mary is said to have appeared, including
Lourdes, Fatima and Medjugorje in Croat-occupied Bosnia where the visions
continue. Nina Danino films the landscapes that have witnessed these
transcendental appearances, imbuing them with a sense of the sacred.
La Terra Trema
(Visconti / It / 1948 / 155 mins / b&w / Italian with subtitles / Cert
U)
An epic account of a Sicilian fishing community and the disasters
encountered by a family who lose their boat in a storm. Although acted by
non-professionals and avowedly Marxist, Visconti's inherent romanticism
wins through in the monumental beauty of the images and operatic handling
of character.
This is not a Love Song (VHS only)
(Billie Elthringham / GB / 2002 / 91 mins / col / Cert 18)
Two friends, one an ex-con, finds themselves on the run across the
Scottish moors after the accidental death of a farmer's daughter. A tragic
yet engrossing story of loyalty in friendship.
Those Who Love Me Can Take The Train
(Patrice Chéreau / Fr / 1998 / 120 mins / col / French with subtitles /
Cert 15)
The dying wish of Parisian painter Jean-Baptiste Emmerich is to be buried
in Limoges cemetary: "Those who love me can take the train". A
motley collection of the people Emmerich has touched in his life - lovers,
friends, relatives and casual acquaintances - is united in a sad, wild and
marvellous journey. "An amazing feat of filmmaking" THE SUNDAY
TELEGRAPH
Three Colours Blue (also available on 16mm)
(Krzysztof Kieslowski / Fr, Sw / Pl / 1993 / 100 mins / col / Polish with
subtitles / Cert 15)
First of the trilogy exploring the French Revolutionary ideals of freedom,
equality and fraternity, Blue, starring Juliet Binoche, won the Golden
Lion, Best Cinematography and Best Actress awards at the 1993 Venice Film
Festival.
Three Colours White (also available on 16mm)
(Krzysztof Kieslowski / Fr, Sw, Pl / 1994 / 95 mins / col / Polish with
subtitles / Cert 15)
The second in the Three Colours Trilogy, White is a very funny and ironic
black comedy. "Compulsively watchable… it is outstanding" Mark
Armory, The Observer
Three Colours Red (also available on 16mm)
(Krzysztof Kieslowski / Fr, Sw, Pl / 1994 / 95 mins / col / Polish with
subtitles / Cert 15)
Final part of the trilogy, Red follows the friendship between a retired
judge and a young model before eventually revealing the destinies of the
characters from all three parts of the trilogy.
Throne of Blood
(Akira Kurosawa / Jp / 1957 / 104 mins / b&w / Japanese with subtitles
/ Cert PG)
Kurosawa's transposition of Shakespeare's Macbeth to sixteenth century
Japan is immensely successful in capturing the spirit of the original. A
truly remarkable film combining beauty and terror to produce a mood of
haunting power, Throne of Blood also shows Kurosawa's familiar mastery of
atmosphere, action, and the savagery of war. "...possibly the finest
Shakespearean adaptation ever committed to the screen." THE GUARDIAN
Time Regained
(Raoul Ruiz / Fr / 1999 / 158 mins / col / French with subtitles / Cert
18)
Respected Chilean filmmaker Raoul Ruiz directs arguably the most
successful and ambitious adaptation of Marcel Proust's literary
masterpiece 'Remembrance of Things Past', which will entrance both those
familiar and new to the novel. Nearing the end of his days, the bed-ridden
Marcel reminisces about his life, recalling past experiences and
encounters... "A great work... A cine-literary miracle"
Alexander Walker, EVENING STANDARD
Under the Sand
(François Ozon / Fr / 2000 / 94 mins / col / French with subtitles / Cert
15)
In this absorbing and affecting drama, Charlotte Rampling gives one of the
best performances of her career as Marie, whose husband Jean mysteriously
disappears while the couple are on holiday. Returning to Paris she refuses
to accept the fact that Jean has died, continuing to think of him in the
present tense and resisting her friends' well-meaning attempts to interest
her in other men. "A stunning central performance from Rampling and
an impressive, mature work from Ozon" THE INDEPENDENT
Unknown Pleasures (part of 2 disc set with Ziao Wu)
(Jia Zhang-Ke / Ch, Jp, Fr / 2002 / 111 mins / col / Mandarin with
subtitles / Cert 12)
Two 19 year old friends, Bin Bin & Xiao Ji, live in the provincial
Chinese city of Datong. Disaffected and without jobs or ambition they pass
their days wandering around town on their motorbikes, hanging out at the
smoky pool hall, and dreaming of girls and escape. Around them China is
changing; the television informs them of their nation's rapidly developing
political and economic role in the world and the steady encroachment of
globalisation.
Va savoir
(Jacques Rivette / Fr, It, Ge / 2001 / 148 mins / col / French with
subtitles / Cert PG)
Jacques Rivette's delightfully bittersweet and highly entertaining comedy
follows the romantic escapades of actress Camille, who returns to Paris to
star in a play directed by her Italian lover. "Thoroughly delightful
metropolitan comedy… Don't miss it" THE GUARDIAN
La Ville est tranquille
(Robert Guédiguian / Fr / 2000 / 127 mins / col / French with subtitles /
Cert 18)
Beautifully observed, uncompromisingly honest and always engrossing,
Guédiguian, returning to his hometown Marseille, skilfully interweaves
the stories of several different characters, following their everyday
struggles to survive life in the teeming cultural melting pot of the city.
"Engrossing… one of the finest French filmmakers around" THE
TIMES
The Wages of Fear
(Henri-Georges Clouzot / Fr, It / 1953 / 147 mins / b&w / French with
subtitles)
Four down and outs in French colonial Latin America decide to drive a load
of nitro-glycerine through the jungle in order to raise some cash; the
motive is greed and the results are as black a vision of human infidelity
as any since Othello. Winner of the grand prize at the Cannes Film
Festival and an undisputed triumph of French Cinema, The Wages of Fear set
Clouzot among the great French directors such as Truffaut and Godard.
Waiting for Happiness
(Abderrrahmane Sissako / Fr, Mauritainia / 2002 / 93 mins / col / French
& Hasianya with subtitles / Cert U)
At the edge of the vast Mauritanian desert lies the small coastal town of
Nouadhibou. There, seventeen year-old Abdallah is visiting his mother
before emigrating to Europe. The melancholic young man finds himself a
stranger in his own country; unable to speak the local language, he shies
away from village customs and festivities and is less interested in
traditional dress than the latest European fashions.
Water Drops on Burning Rocks
(Ozon / Fr / 2000 / 82 mins / col / French with subtitles / Cert 18)
This biting comedy focusing on the shifting power in sexual relationships
is based on a previously unproduced play by revered German filmmaker
Rainer Werner Fassbinder. Twenty-year old Franz is seduced by the much
older Leopold and the two move in together. However, Leopold's bullying
causes Franz to decide to return to his former girlfriend, a plan foiled
when in turn Leopold seduces her too. With the unexpected arrival of
Leopold's former lover Vera, a male to female transsexual who is still
hopelessy bessotted with him, events begin to get out of control.
Werckmeister Harmonies (part of 2 disc set with Damnation)
(Béla Tarr / Hu, Ge , Fr, Sw / 2000 / 145 mins / b&w / Hungarian with
subtitles / Cert 15)
A mysterious 'circus' comes to an impoverished, unnamed Eastern European
town. The villagers flock from all over, drawn by a promised appearance by
'The Prince'.
At the moment however all that's on show is a life-sized stuffed whale. As
the locals talk about revolution and leadership, tension grows among those
who have braved the cold to watch the circus, sparking unrest amongst the
discontented male villagers. The unfolding events are witnessed by János
Valuska, who is unable to stem the tide of revolt. 'More magnificently
dour austerity from the Hungarian master...a surreal epic' Peter Bradshaw,
THE GUARDIAN (Ten to see in 2003)
Whatever (VHS only)
(Philippe Harel / Fr / 1999 / 115 mins / col / French with subtitles /
Cert 18)
Our hero lives alone and is stuck in an unfulfilling job as a moderately
successful and well paid computer programmer. He lives alone and has had
celibacy imposed on him for two years. He and colleague Yisserand, a badly
dressed but ever-optimistic virgin of 28, are sent around France to teach
company personnel the latest software and they decide to spend their
evenings finding an end to two years of celibacy. But after a particularly
disastrous evening in a Rouen nightclub, the two decide that the time has
come for the sexual underclass to fight back. Based on the recent French
literary sensation by Michel Houellbecq. "Witty, sardonic, ultimately
affecting" Evening Standard
Where the Sidewalk Ends
(Otto Preminger / US / 1950 / 91 mins / b&w / Cert 12)
Dana Andrews stars as Mark Dixon, a corrupt cop, in this gritty noir
thriller shot on the rain-slicked streets of New York. Already in trouble
for his brutal methods, alienated from his colleagues, he pursues a gang
leader with vindictive zeal and accidentally kills a possible murder
suspect. His guilt deepens when he falls in love with the dead man's wife
(played with beguiling beauty by Gene Tierney) and her father, an innocent
cab driver, finds himself accused of the murder. Dixon finds ultimate
redemption - at a price.
Whirlpool
(Otto Preminger / US / 1949 / 93 mins / b&w / Cert PG)
In this intriguing blend of film noir and women's picture, Gene Tierney is
the well-dressed wife of a successful psychoanalyst, played with chilling
remoteness by Richard Conte. When arrested for shoplifting, she is saved
from inevitable scandal by the intervention of a suave but slightly
sinister hypnotist (José Ferrer). However, the salvation proves deceptive
and she soon finds herself caught up in a web of blackmail and murder.
Yojimbo
(Akira Kurosawa / Jp / 1961 / 207 mins / b&w / Japanese with subtitles
/ Cert PG)
Social disorder seen as comedy. A masterless samurai strolls into town and
gets half of the baddies to obliterate the other half. Exhilarating,
surprising, kinetic, and very funny, the picture gives us a very human
hero, who in Kurosawa's words is "different from us. He's able to
stand squarely in the middle and stop the fight." "A masterful,
beautifully composed, witty movie..." HALLIWELL'S FILM GUIDE
A Zed and Two Noughts
(Peter Greenaway / GB, Ne / 1985 / 112 mins / col / Cert 15)
An extraordinary tale of obsession in which the zoologist twin husbands of
two women killed in a car crash start an affair with the amputee survivor.
This provocative, funny and stylish film, with a score by Michael Nyman,
is also a tribute to Vermeer and an exploration of the trauma of loss,
man's relationship with animals and the attraction of lists.
Ziao Wu (part of 2 disc set with Unkown Pleasures)
(Jia Zhang-Ke / Ch, HK / 1998 / 108 mins / col / Mandarin with subtitles /
Cert 12)
Jia's accutely observed debut feature follows the exploits of a petty
thief, Xiao Wu, who operates as a pickpocket in a ramshackle provincial
town. But in a rapidly changing China, Xiao wu finds he is out of step
with the times and his inability to adapt marks the beginning of his
downfall. 'One of the most impressive Chinese films of the 90's' SIGHT
& SOUND
Foreign films
L'Age d'or & Un Chien andalou (double presentation)
L'Age d'or
(Luis Buñuel / Fr, Sp / 1930 / 63 mins / b&w / Cert 15)
A man's face covered with flies; a blind man being kicked; a woman
suggestively sucking on the toe of a statue: L'Age d'or is scabrous,
sinister and strangely poignant. Buñuel and Salvador Dali's second
collaboration chronicles a couple's struggles to consummate their
impulsive mutual desire in the face of an endless array of obstacles
coming their way from the authorities, bourgeois society and the Church.
Un Chien andalou
(Luis Buñuel, Salvador Dali / Fr / 1928 / 17 mins / b&w / Cert 15)
Un Chien andalou begins with a close-up of a young girl's eye with a razor
slicing slowly across it - a sensational opening which was designed to
shock the spectator into a direct, uncensored response to the rest of the
film. In the words of Buñuel: 'Our only rule was very simple: no idea or
image that might lend itself to a rational explanation would be accepted.'
Nonetheless, this dreamlike cine-poem on sex, death and decay has prompted
countless readings of its mysteries. (www.bfi.org.uk/bunuel)
American Splendor
(Robert Pulcini & Shari Springer-Bergman / US / 2003 / 97 mins / col /
Cert 15)
From the producers of The Ice Storm and Happiness comes the true story of
an obsessive-compulsive everyman who found love, family and a creative
voice through comic books! Winner of the Grand Jury Prize at the Sundance
Film Festival, as well as the Fipresci Award at the 2003 Cannes Film
Festival and the Guardian New Directors Award at the Edinburgh Film
Festival. Wildly unique and dryly comic, American Splendor is a true
American original. "An elegant movie, with compassion and wit and
excellent performances" Peter Bradshaw, THE GUARDIAN
The Apple
(Samira Makhmalbaf / Ir, Fr / 1997 / 84 mins / col / Farsi with English
subtitles / Cert PG)
Based on a true incident and using the actual family involved in the case,
this is the haunting first feature by Samira Makhmalbaf, the then 17
year-old daughter of Iranian filmmaker, Mohsen Makhmalbaf. In a run-down
part of Tehran, two twin daughters live as virtual prisoners of their poor
father and blind mother, locked behind bars for all of their 12 years. A
social worker tries to persuade the girls' father to give them the freedom
to explore the world beyond the gates of their home. "A dazzling
piece of pure cinema... an incomparably moving experience" Gilbert
Adair, INDEPENDENT ON SUNDAY
At Five in the Afternoon
(Samira Makhmalbaf / Ir, Fr / 2003 / 102 mins / col / Farsi and Kurdish
with English subtitles / Cert PG)
At Five in the Afternoon is Samira Makhmalbaf's third feature film, and
the very first foreign film to be made in Kabul since the Taliban ruled.
It focuses on the plight of Afghan women, and in particular Noqreh, trying
to survive in post-Taliban Afghanistan. Frustrated by a strained
relationship with a bigoted but loving father Noqreh dreams of becoming…
President of the Republic! A bitter political statement, a harsh and cruel
tale, but an exquisitely moving, often comic depiction of life after the
Taliban.
The Barbarian Invasions
(Denys Arcand / Ca, Fr / 2003 / 99 mins / col / French with English
subtitles / Cert 15)
Oscar and Double Cannes prize winner The Barbarian Invasions is an acerbic
and sharply written masterpiece - a witty, tender and intelligent drama
comedy concerning the universal themes of love, faith, family and
mortality. In his younger days as a university professor Rémy was known
for his love of women, words and lust for life. Now divorced and in his
early fifties, he is confined to an over-crowded hospital in Montreal with
a terminal illness. Remy's estranged son Sébastien - the acquisitive,
non-intellectual antithesis of Remy - returns from London to support his
parents and their friends in their poignant attempts to ease the darkness
of Remy's last days.
Chungking Express
(Wong-Kar Wai / HK / 1994 / 100 mins / col / Cantonese and Mandarin with
English subtitles / Cert 15)
Cult filmmaker Wong Kar-Wai's hugely influential breakthrough is a
supremely stylish combination of love story and thriller, set in and
around Hong Kong's infamous Chungking Mansions, a vast complex of shabby
hostels, bars and clubs. The film tells the stories of two lovelorn cops
and the women with whom they become involved: a mysterious drug dealer
dressed in a blonde wig and sunglasses, and an impulsive young dreamer.
Featuring a charismatic cast, cool pop soundtrack and stunning photography
by Christopher Doyle, Chungking Express is an unconventional and
dazzlingly original modern day noir.
The Cuckoo
(Aleksandr Rogozhkin / Ru / 2002 / col / Russian, Finnish and Lapp with
English subtitles / Cert 12A)
Gently humorous and lyrical WWII drama from Russia. Two enemy soldiers
develop a strange relationship with the local tribeswoman who saves them -
despite none of them understanding what the other is saying. While the
story may be set during WWII, it holds little of the tensions one would
expect from a wartime drama. Instead, it depicts an unexpected culture
clash, reflecting the two soldiers against both one another and the tribal
life of their lusty saviour Anni.
Les Dames du Bois de Boulogne
(Robert Bresson / Fr / 1945 / 82 mins / b&w / French with English
subtitles / Cert PG)
One of the most revered figures in French Cinema, Robert Bresson's second
film, scripted by Jean Cocteau, is the renowned masterpiece of cinematic
storytelling and psychological insight that established Bresson's unique,
highly personal vision. Made during the last days of the Occupation and
based on a story by the eighteenth century writer Denys Diderot, this
intense study of erotic obsession and the redeeming power of true love
combines the superficial glamour of Parisian high society with the
seething passions and jealousies that cause a spurned femme fatale,
Hélène, to seek her ex-lover's humiliation.
Dragonflies
(Marius Holst / No / 2001 / 109 mins / col / Norwegian with English
subtitles / Cert 15)
Lyrical and poetic, Dragonflies is a modern chamber play, the story of a
couple running away from their past in a desperate bid to put their
criminal activities behind them. Eddie and Marie have met at a time in
their lives when they both need someone to save them. Safe in their
marital cocoon, Eddie and Marie's worst fear is that the past will catch
up with them. Sure enough one day, Eddie's old friend Kullman arrives to
shatter their calm. Recently released from a long prison sentence for a
crime committed with Eddie, Kullman is determined to stay, turning Eddie
and Marie's entire world upside down…
Les Enfants terribles
(Jean-Pierre Melville / Fr / 1950 / 102 mins / b&w / French with
English subtitles / Cert 12)
In this compelling tale of incestuous obsession, a teenage brother and
sister, Paul and Elisabeth, create an intense, private world in their
untidy shared single room. However, when outsiders intrude into their
intensely private realm, the scene is set for tragedy. A hauntingly
atmospheric film of Jean Cocteau's 1929 claustrophobic hothouse novel, for
which he also wrote the screenplay and provided the voice-over, Les
Enfants terribles is dominated by a performance of fierce intensity by
Nicole Stéphane as the scheming heroine Elisabeth. The music by Bach and
Vivaldi forms the film's impassioned score.
Father and Son (available February 2005)
(Alexander Sokurov / Ru, Fr, Ge / 2003 / 84 mins / col / Russian with
English subtitles / Cert PG)
From the director of the highly successful Russian Ark comes this tale of
a close relationship between a father and son who have lived together for
years, after the death of the mother, in a rooftop apartment where they
have created their own private world, full of memories and daily rituals.
"What's certain is the beauty of each giddy, painterly frame, and
some fantastic rooftop scenes... Sokurov is a genius and I feel sure that
Father and Son mystifying right now, will invade my dreams in weeks to
come" Sukhdev Sandhu, THE DAILY TELEGRAPH
The Jean Vigo Collection (available December 2005)
À Propos de Nice
(Fr / 1930 / 20 mins / b&w / Cert U)
À propos de Nice is a sardonically radical variation on the late-silent
'city symphony' films. Gathering the material shot on the streets of Nice
over several months with Kaufman running the camera hidden in a cardboard
box to catch people unawares, this is an irreverent representation of
inter-war French Society.
L' Atalante
(Fr / 1934 / 86 mins / b&w / French with English subtitles / Cert PG)
L' Atalante is one of the great classics of the French cinema, a film of
extraordinary lyricism and beauty that manages to combine wild comedy with
romantic yearning. A young barge captain, Jean takes his peasant bride,
Juliette to live afloat on the barge 'L'Atalante', which plies the Seine.
The couple begin married life in the company of the eccentric crew and a
large collection of cats. Conflict arises when Juliette is seduced by the
bright lights of Paris… This new version was carefully restored
according to the director's original intentions and includes previously
missing footage, only recently rediscovered.
Jean Taris
(Fr / 1931 / 26 mins / b&w/ Cert E)
In this instructional film on swimming, Vigo enlisted the help of champion
swimmer Jean Taris to demonstrate the basic strokes out of water. The film
ends with a flourish as Taris leaves the water in Cocteauesque reverse
motion, regains his clothing through a dissolve and then exits, stopping
only to doff his cap at an overhead camera. Deliberately avant-garde in
character, Taris is an anti-documentary with surrealist and anarchic
elements.
Zéro de Conduite
(Fr / 1933 / 42 mins / b&w / French with English subtitles / Cert PG)
This rarely seen and celebrated film from the Golden Age of French Cinema
is an ebullient and satirical tale of life in a repressive French boarding
school. Four boys plan a revolt against their hated teachers that
progresses from a dormitory riot, culminating in the famous pillow-fight
scene, to a full-scale rebellion. In the years since it was made, this
much-banned film has gained classic status and is renowned for its
influence on the French New Wave directors, and for being the inspiration
behind Lindsay Anderson's highly acclaimed 'If...'.
Jour de fête (available December 2004)
(Jacques Tati / Fr / 1948 / 77 mins / col / cert U)
Tati's debut feature tells the tale of a village postman's endeavours to
streamline his service à l'américaine… "The timing and sheer
cleverness of the gags is breathtaking. But, above all, this film is
supremely good-natured. Perfectly managing to be neither acerbic nor
sentimental, just gently and gloriously funny, Jour de fête is a
delight." Edinburgh University Film Society film review (www.bfi.org.uk/tati)
Kiss of Life
(Emily Young / UK, Fr / 2003 / 84 mins / col / Cert 12)
Kiss of Life (the debut feature of exciting young British talent Emily
Young) is a deeply moving journey into the heart of a family. Lithuanian
actress Ingeborga Dapkunaite stars as Helen, a London housewife barely
coping with her two children and with her ageing father (David Warner)
while her husband, John (Peter Mullan), an aid-worker in Bosnia is away
from home. Taking the children to school one morning, she is killed in a
car accident. Many miles away, in war-torn Eastern Europe, John is unaware
that his wife has died. Helen herself, caught in limbo between life and
death, watches over her family who struggle to come to terms with the loss
of their mother and the continuing absence of their father. John has to
travel home through dangerous terrain whilst Helen journeys through the
space between life and death, freed only when she and her husband are able
to reconcile their differences and experience the full meaning of their
love for one another.
The Lady of Musashino
(Kenji Mizoguchi / Ja / 1951 / 85 mins / b&w / Japanese with English
subtitles / Cert PG)
The Lady of Musashino tells the story of Michiko (Kinuyo Tanaka), a
disillusioned young wife, trapped in a loveless marriage to her translator
husband. Starved of any real affection, Michiko turns to her cousin, only
to become entangled in a destructive affair. Ultimately let down by both
men, Michiko in her desperation decides to take her fate into her own
hands... Legendary director Mizoguchi's serene visual style and
meticulously detailed mise-en-scene captures the moral decadence and
emotional brittleness of Japan's post war society. Exploring the divide
between traditional values and a new-found personal liberation, Mizoguchi
contrasts the pace of life in the countryside with the bustling suburbs of
the encroaching city.
Last Life in the Universe (available January 2005)
(Pen-Ek Ratanaruang / Ja, Th / 2003 / 108 mins / col / Thai, Japanese
& English with some English subtitles / Cert 15)
Mysterious Kenji, a lonely Japanese librarian's assistant and occasional
suicide hobbyist, is quietly living - and hoping to die - in Bangkok.
Hiding from an unknown past, the Mishima-identifying Kenji seems
determined on a premature rendezvous with oblivion; if only Nid, the
beautiful Thai woman Kenji spies between the shelves one day, hadn't
managed to die first. And if only Nid's acid-tongued sister, Noi - who
inadvertently begins seducing the suicidal loner back into the chaos of
life - weren't leaving for Osaka on the Monday morning plane… Last Life
in the Universe combines elements of Japanese yakuza films, an
unpredictable succession of lush and intoxicating images, and a host of
eccentric narrative tics from the cutting edge of Thai cinema.
The Leopard
(Luchino Visconti / It, Fr / 1963 / 188 mins / col / Italian with English
subtitles / Cert PG)
Luchino Visconti's richest, most personal film, adapted from Giuseppe di
Lampedusa's internationally acclaimed novel, The Leopard is set in
1860-62, during the turbulent period of Italian unification, and tells the
story of an aristocratic Sicilian family threatened by the political
upheavals. Burt Lancaster excels as the ageing Prince of Salina whose
beloved nephew Tancredi (Alain Delon) goes off to fight with Garibaldi's
revolutionary 'Thousand' and on his return falls in love with Angelica
(Claudia Cardinale), the beautiful daughter of an up-and-coming merchant.
This gorgeous evocation of an era, filmed on location in Sicily, is
stunningly photographed, designed and costumed, with a rousing score by
Nino Rota. The DVD features the restored and uncut release version of the
film with fully restored picture and sound. "Visconti's masterpiece -
beautiful, intelligent, deeply moving" Philip French, THE OBSERVER (www.bfi.org.uk/leopard)
The Life of O-Haru
(Kenji Mizoguchi / Ja / 1952 / 131 mins / b&w / Japanese with English
subtitles / Cert PG)
Winner of the 1952 Venice Film Festival Silver Lion Award, Mizoguchi's
compelling chronicle of female suffering is an exquisitely crafted
tragedy. A portrait and criticism of feudal Japan as seen through the eyes
of a woman, The Life of O-Haru tells the story of O-Haru, a beautiful
courtesan in 17th century Japan, who falls in love with a commoner
(Toshiro Mifune) and is punished for her lapse from social grace by being
sent into exile. Mainly told in flashback, the film follows her subsequent
decline and fall. Kinuyo Tanaka gives another outstanding performance, as
O-Haru.
Mon Oncle (available December 2004)
(Jacques Tati / Fr / 1958/ 116 mins / col / Cert U)
An undisputed comic tour de force in which the simple domestic regime of
Mr Hulot is contrasted to the gadget-laden, fully automated household of
his sister and brother-in-law. Mon Oncle was Hulot's first encounter with
architectural futurism and literally countless gags vie for our attention.
"Unforgettably funny, wonderfully observed and always technically
brilliant" TIME OUT (www.bfi.org.uk/tati)
Monsieur Hulot's Holiday (available December 2004)
(Jacques Tati / Fr / 1953 / 86 mins / b&w / cert U)
Tati's warm-hearted caricature of the middle-class vacationing is a
scrapbook of seaside snapshots and anecdotes. Monsieur Hulot, all
lolloping limbs, pipe and hat, became one of cinema's best-loved
characters. Throwing himself into everything from a tennis match to a
fancy dress party, Hulot is an accident personified. Amiable and
courteous, he is a gentle lunatic, unaware that his enthusiasms are
forging a chain of disaster. "This sublime comedy leaves you
breathless with laughter" ***** EMPIRE (www.bfi.org.uk/hulotsholiday)
Noi Albinoi
(Dagur Kári / Ic, Ge, De, UK / 2002 / 91 mins / col / Icelandic with
English subtitles / Cert 15)
Heralding the arrival of an exciting new filmmaking talent, Icelandic
director Dagur Kari's distinctive feature debut mixes art-house lyricism
and striking photography with black humour and a youthful romanticism.
Dagur Kari's portrait of a gifted teen, rebelling against the limits of
life in a remote Icelandic town, is infused with beautiful scenic vistas,
small observational details and a melancholic humour that engulfs his
protagonist's actions. With his out-of-this-world looks and wide-eyed
awkwardness, newcomer Tomas Lemarquis as Nói, makes the perfect outsider,
adrift in an alienating environment.
Nowhere in Africa
(Caroline Link / Ge / 2001 / 141 mins / col / German with English
subntitles / Cert U)
Nowhere in Africa, winner of the Academy Award for Best Foreign Language
Film in 2003, is an epic feature from Caroline Link, previously Oscar
nominated for Beyond Silence. Based on the best-selling autobiographical
novel by Stefanie Zweig, it is the extraordinary story of a Jewish family
who fled Nazi Germany in 1938 to make a new life on a remote farm in
Kenya. The film, with a particularly strong German cast, picked-up five
Lolas at the German Film Awards.
OKAY
(Jesper W. Nielsen / Dk / 2002 / 97 mins / col / Danish with English
subtitles / Cert 15)
Nete (dogma star Paprika Steen) is a tough career woman, who runs her job,
husband Kristian, aspiring writer of 11 unfinished novels, and teenage
daughter Trine, with a firm and efficient hand. When her father Johannes
becomes terminally ill, she insists that he stays at their already crammed
apartment for his remaining weeks. But Johannes is still alive and staying
months later. Kristian seeks comfort outside of the home and her daughter
begins to rebel, encouraged by Johannes. When Nete tries to engineer a
conciliation between her father and Martin, her gay brother estranged from
Johannes, things are bound to explode…
Orphée
(Jean Cocteau / Fr / 1950 / 91 mins / b&w / French with English
subtitles / Cert PG)
The magic of cinema is fully realised in Jean Cocteau's Orphée - one of
the finest films from one of the most significant artists of the twentieth
century. A contemporary account of the Greek myth, set in post-war Paris,
Orphée is a work of haunting beauty that follows the poetic logic of a
dream. It tells of a famous poet's love affair with Death, a mysterious
princess, as he follows her through a mirror into the underworld in search
of inspiration. Strikingly visual and darkly enigmatic, Orphée features
memorable performances from Cocteau's companion Jean Marais and Maria
Casarès. (www.bfi.org.uk/orphee)
Playtime
(Jacques Tati / Fr / 1967 / 125 mins / col / French with some English
subtitles / Cert U)
Jacques Tati's most ambitious film unfolds on a vast futuristic six-acre
set where he pokes fun at contemporary architecture, package tourism and
the overwhelming depersonalisation of modern life. Characters and
inanimate objects move in an abstract ballet; dialogue as such hardly
exists and is reduced to a multilingual chatter of noise. A financial
disaster on its original release, Playtime can now be seen as the purest
expression of Tati's comic vision. (www.bfi.org.uk/tati)
Pure
(Gillies MacKinnon / UK / 2002 / 93 mins / col / Cert 18)
MacKinnon makes a welcome return to the themes and styles of his earlier
films with this hard-edged exploration of a ten year old boy's
extraordinary struggle to save his mother from a destructive drug
addiction. What makes the film so powerful is that the main story is told
through the eyes of the boy, Paul - a standout performance from newcomer
Harry Eden - who displays a mixture of vulnerability and innocence with a
maturity beyond his tender years.
Spirited Away
(Haya Miyazaki / Ja / 2002 / 124 mins / col / Japanese with English
subtitles / Cert PG)
In the middle of her family's move to the suburbs, a sullen 10-year-old
girl wanders into a world ruled by witches and monsters, where humans are
changed into animals. A visionary work, winner of the 2003 Animation Oscar
and the Golden Bear at the Berlin International Film Festival, Haya
Miyazaki's stunning feature has become the biggest grossing film ever in
its native Japan, where it earned over $230m. With its depth and
complexity, Spirited Away enchants both adults and children alike.
"Without doubt, one of the greatest animated films I've ever
seen" Jonathan Ross, FILM 2003
Time of the Wolf (Le Temps de loup)
(Michael Haneke / Fr / 2002 / 111 mins / col / French with English
subtitles / Cert 15)
Set in an unnamed European country at an undisclosed time, this dark and
brutally compelling apocalyptic drama tells the story of a family:
Georges, Anne (Isabelle Huppert) and their two children Eva and Ben.
Fleeing the city, the family arrive at their country home, hoping to find
refuge and security, only to discover that it is already occupied by
strangers. In the ensuing confrontation their lives are changed forever.
So begins a long and painful learning process and the discovery that
nothing will ever be the same as they journey through a country devastated
after a terrible disaster.
To Sleep with Anger
(Charles Burnett / US / 1990 / 98 mins / col / Cert 12)
Charles Burnett, one of America's most highly regarded independent
filmmakers, wrote and directed this domestic drama about a black
middle-class family living in South Central Los Angeles. Family tensions
are already simmering when Harry (Danny Glover) arrives to visit his old
friends. He exudes an easy charm, knows secrets past and present and is
soon installed in the heart of the family. However, as his stay lengthens,
so does he begin to case an ever more malevolent spell, provoking turmoil,
setting son against son, reviving past hatreds, and inflicting a
mysterious illness. (www.bfi.org.uk/anger)
Tristana (available December 2004)
(Luis Buñuel / Fr, It, Sp / 1970 / 95 mins / col / Spanish with English
subtitles / Cert PG)
Tristana (Catherine Deneuve), an orphan, is left to the care of the
elderly Don Lope (Fernando Rey). His paternal love soon turns into
something more passionate and, to escape his possessiveness, Tristana runs
away with a young painter. Later, she falls ill and returns to Don Lope
and sets out to destroy him.
Uzak (available from November 2004)
(Nuri Bilge Ceylan / Tu / 2002 / 110 mins / col / Turkish with English
subtitles / Cert 15)
Uzak (Distant) is about the encounter between a melancholic and obsessive
middle-aged photographer - Mahmut, and his cousin an unemployed country
boy - Yusuf, who comes to Istanbul to find a job on a ship. The taciturn,
parasitic young man played by the director's usual actor Mehmet Emin
Toprak, finds himself encroaching into the closed and colourless world of
his cousin. Uzak was awarded both the Grand Prix and the Best Actor prize,
which was shared between the two leads Muzaffer Ozdemir and Mehmet Emin
Toprak.
Zatoichi
(Takeshi Kitano / Ja / 2003 / 111 mins / col / Japanese with English
subtitles / Cert 18)
Zatoichi is a blind wanderer who makes a living by gambling and giving
massages in 19th Century Japan. But behind his humble facade, Zatoichi is
a master swordsman, gifted with a lightning-fast draw and strokes of
breathtaking precision. In a gambling joint, Zatoichi and his trustworthy
young friend Shinkichi meet up with a couple of geishas. As dangerous as
they are beautiful, Okinu and her sister Osei have come to town to avenge
their parents' murder. With his legendary cane sword at his side,
Zatoichi's path is destined for many violent showdowns...
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